A painting can be out of copyright and thephotograph of it can still be protected.

Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)

Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)

1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)

Bust of a Bearded Figure

Andrea Solario (d. 1524)

1515–24 · Black, red, and ochre chalk on light brown paper (with later, substantive reintegration of the support and drawing surface along the right edges and upper portions of the sheet; detached from canvas support in 1958)

St. John the Baptist Preaching

Gerrit Pietersz. Sweelink (d. 1612)

1593 · Etching; fifth state of six

Saint Roch Recommending a Woman with a Sick Child to the Virgin (recto); Figure of a Man Holding a Book; Nude Figure of a Man (verso)

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink on cream-colored paper (recto). Traces of framing outlines in the form of an arch in pen and brown ink apparently by artist. Top has been trimmed to form an arch (recto); nude studies, one in red chalk and one in black chalk (verso)

A Woman Distributing Bread from a Basket: Study for "Feed the Hungry," in the Chapel of the Seven Corporal Works of Mercy (Les Oeuvres de Miséricorde), Church of Saint-Eustache, Paris

Victor-François-Eloi Biennourry (d. 1893)

1850–53 · Fabricated black and white chalk, squared with fabricated black chalk

Standing Female Figure (St. Anne; Cartoon for a Painting)

Vittore Carpaccio (d. 1526)

ca. 1502–4 · Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins

Memorie della Vita del glorioso patriarca San Giuseppe sposo di Maria Vergine (…)

Giorgio Fossati (d. 1785)

1750 · Etching and letterpress