Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1272 ms. The Metropolitan Museum of Art, Collection API (Open Access)
308 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 167 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Ste. Anatolie, vierge et martyre (St. Anatolia, Virgin and Martyr), July 9th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Jacques Callot (d. 1635)
ca. 1632 · Etching; second state of two (Lieure)
Cleared · Public Domain
live
Copy of L'Aveugle et son Compagnon (The Blind Man and his Companion), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Anonymous
17th century · Etching
Cleared · Public Domain
live
Le Zani ou Scapin, from "Les Trois Pantalons pièces appélees Les Trois Acteurs" (The Three Pants also called the Three Actors)
Anonymous
17th century · Etching and engraving
Cleared · Public Domain
live
Les Amours Pastorales
Robert Hancock (d. 1817)
ca. 1755–60 · Enamel on copper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salamacis and Hermaphroditus (Hermaphroditus et Salmacis unum in corpus abeunt), plate 36 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta (d. 1630)
Published after 1606 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Place depicting a fireplace ornamented with a lyre and quivers, plate 1 from 'Livre de Cheminées Executées dans les Apartemens de Versailles', bound in "Oeuvres", Vol. I
Pierre Le Pautre (d. 1744)
1670–99 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Armes de M. de Calviere (The Arms of M. de Calviere), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
ca. 1755 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
M. le Cardinal de Rohan, from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
ca. 1755 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salmacis and Hermaphroditus, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi
Jean Massard (d. 1822)
ca. 1765 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salamacis and Hermaphroditus, from "Les Metamorphoses d'Ovide..."
Wilbrod-Nicolas-Magloire Courbe (d. 1807)
1806–22 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salamacis and Hermaphroditus, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.
Wilbrod-Nicolas-Magloire Courbe (d. 1807)
published 1806–22 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salamacis and Hermaphroditus, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.
Wilbrod-Nicolas-Magloire Courbe (d. 1807)
published 1806–22 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.