
Plate 10: Robert Macaire, solicitor, from 'Caricaturana,' published in Les Robert Macaires
Honoré Daumier (d. 1879)
1838 · Lithograph on wove paper; second state of three (Delteil)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
547 ms. The Metropolitan Museum of Art, Collection API (Open Access)
306 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 53 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate 10: Robert Macaire, solicitor, from 'Caricaturana,' published in Les Robert Macaires
Honoré Daumier (d. 1879)
1838 · Lithograph on wove paper; second state of three (Delteil)
Cleared · Public Domain
live
Plate 11: Someone stole a thousand franc note from me, Monsieur..., from 'Caricaturana,' published in Les Robert Macaires
Honoré Daumier (d. 1879)
1838 · Color lithograph on wove paper; second state of two (Delteil)
Cleared · Public Domain
live
Plate 49: A Landlord, from 'Caricaturana,' published in Les Robert Macaires
Honoré Daumier (d. 1879)
1838 · Lithograph on wove paper; second state of two (Delteil)
Cleared · Public Domain
live
Plate 8: Robert Macaire, doctor, from 'Caricaturana,' published in Les Robert Macaires
Honoré Daumier (d. 1879)
1838 · Color lithograph on wove paper; second state of three (Delteil)
Cleared · Public Domain
live
Plate 9: Robert Macaire, barrister, from 'Caricaturana,' published in Les Robert Macaires
Honoré Daumier (d. 1879)
1838 · Color lithograph on wove paper; second state of three (Delteil)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 36: Salmacis and Hermaphroditis (Hermaphroditus et Salmacis vnum in corpus abeunt), from Ovid's 'Metamorphoses'
Antonio Tempesta (d. 1630)
1606 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hermaphroditus and Salmacis, from Ovid's "Metamorphoses", Book III
Anonymous, Netherlandish, 17th century (d. 1700)
ca. 1615 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salamacis and Hermaphroditus (Hermaphroditus et Salmacis unum in corpus abeunt), plate 36 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta (d. 1630)
Published after 1606 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 8: Detail of a wall from the Farnese gallery; at center, Venus reclining in bed with Cupid and Anchises; in a roundel at left, Salmacis and Hermaphroditus embracing; in roundel to the right, Pan wrestling with Cupid, from "Galeriae Farnesianae Icones"
Pietro Aquila (d. 1700)
ca. 1674 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salmacis and Hermaphroditus, from Vues de jardins avec grottes et fontaines, plate 5, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salmacis and Hermaphroditus, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi
Jean Massard (d. 1822)
ca. 1765 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salamacis and Hermaphroditus, from "Les Metamorphoses d'Ovide..."
Wilbrod-Nicolas-Magloire Courbe (d. 1807)
1806–22 · Etching and engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.