Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
206 ms. The Metropolitan Museum of Art, Collection API (Open Access)
251 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 541 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Allegory of Louis XV as Patron of the Arts with Paintings and Sculpture from the Salon of 1769
Gabriel de Saint-Aubin (d. 1780)
ca. 1769 · Oil paint over black chalk underdrawing, areas of paper reserve, on off-white laid paper, mounted on pasteboard, varnished
Cleared · Public Domain
live
Grand Salon from the Hôtel de Tessé, Paris
Nicolas Huyot (d. 1791)
ca. 1768–72, with later additions · Carved, painted, and gilded oak; bleu turquin marble, gilt bronze; plaster
Cleared · Public Domain
live
Door from the Grand Salon in Hôtel de Belle Isle, Paris
Unrecorded maker
ca. 1785 · Oak, painted white and gilded
Cleared · Public Domain
live
Idée du tableau le plus touchant du Salon de l’an 9 (La Pauvre rentière)
Chevalier Férréol de Bonnemaison (d. 1826)
ca. 1800 · Etching and aquatint
Cleared · Public Domain
live
Fameux Jury de Peinture; Salon de 1841
Clément Pruche (d. 1870)
March 20, 1841 · Lithograph
Cleared · Public Domain
live
The Salon of 1852
Gustave Le Gray (d. 1884)
1852 · Salted paper print from waxed-paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portes de Salon
Franz Xavier Habermann (d. 1796)
n.d.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Salon de 1839
Honoré Daumier (d. 1879)
1839 · Wood engravings
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Autograph au Salon de 1865
Pigalle (d. 1900)
1865
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salon de 1866
Unknown
1866 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salon de la Paix, Tuileries
Ernest Ladrey
1871 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Au Salon de l'Epatant
Marie-Louis-Pierre Vidal (d. 1929)
1909 · Watercolor over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.