Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    249 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    340 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,094 matching records exist across the two collections.

Results for "Sampler-Book: or Needlework Pattern-Book"12 records

Institutions answered newest-first by record, interleaved

Sampler-Book: or Needlework Pattern-Book of Mrs. Phelita Millward by Phelita Millward, The Metropolitan Museum of Art

Sampler-Book: or Needlework Pattern-Book of Mrs. Phelita Millward

Phelita Millward (d. 1700)

1654 · Manuscript

Cleared · Public Domain

live
The MetSimilar
Long Sampler by an unrecorded maker, The Cleveland Museum of Art

Long Sampler

Unrecorded maker

c. 1650–70 · Sampler, embroidery: silk on linen tabby ground

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sampler by Margret Barber, The Metropolitan Museum of Art

Sampler

Margret Barber

1661–63 · Linen worked with silk and linen thread: reticella, double running, eye, cross, satin, and Gobelin stitches

Cleared · Public Domain

live
The MetSimilar
Embroidered band sampler by Esther French, The Metropolitan Museum of Art

Embroidered band sampler

Esther French (d. 1770)

1684 · Silk on linen

Cleared · Public Domain

live
The MetSimilar
Sampler by Ann Sayres, The Metropolitan Museum of Art

Sampler

Ann Sayres (d. 9999)

1739 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Sampler by Mary Parker, The Metropolitan Museum of Art

Sampler

Mary Parker (d. 1835)

1805 · Silk and cotton on linen, embroidered

Cleared · Public Domain

live
The MetSimilar
Sampler by Ann Magdalen Yates, The Metropolitan Museum of Art

Sampler

Ann Magdalen Yates

ca. 1802 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Sampler by Julia Ann Fitch, The Metropolitan Museum of Art

Sampler

Julia Ann Fitch (d. 1818)

1807 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Sampler by Almira Holmes, The Metropolitan Museum of Art

Sampler

Almira Holmes (d. 1867)

1821 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Sampler by Emily Ann Kittredge, The Metropolitan Museum of Art

Sampler

Emily Ann Kittredge (d. 1905)

1826 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Sampler made at a charity school by L. Matthews, The Metropolitan Museum of Art

Sampler made at a charity school

L. Matthews

1853 · Cotton embroidery on linen

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pattern Book of Printed Textiles or Papers

Unrecorded maker

late 18th century · plates: woodcut

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.