
Tynemouth Castle, Northumberland
Samuel Buck (d. 1779)
1728 · Pen and black ink, brush and gray wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
257 ms. The Metropolitan Museum of Art, Collection API (Open Access)
313 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 200 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tynemouth Castle, Northumberland
Samuel Buck (d. 1779)
1728 · Pen and black ink, brush and gray wash
Cleared · Public Domain
live
The Wages of War
Henry Peters Gray (d. 1877)
1848 · Oil on canvas
Cleared · Public Domain
live
Lions Attacking Two Men and a Horse
James Ward (d. 1859)
1801–59 · Brush and black and gray wash, over black chalk
Cleared · Public Domain
live
Samuel Gray Ward
Augustus Saint-Gaudens (d. 1907)
1881, cast 1908 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Farmer's Noon
Samuel William Reynolds, the elder (d. 1835)
1790–1800 · Mezzotint, hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gems of Art: Forming a Choice Collection Engraved from Pictures of Acknowledged Excellence, Beauty, & Variety, Painted by Esteemed Masters of All Ages and Countries
William Ward (d. 1826)
1823 · Mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Book of British Ballads, Vol. 1
Samuel Carter Hall (d. 1889)
1847 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Book of British Ballads, Vol. 2
Samuel Carter Hall (d. 1889)
1847 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Beeton's Christmas Annual: The Thirteenth Season. The Coming K...
Samuel Orchart Beeton (d. 1877)
1860 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lady's Bazaar & Fancy Fair Book
Samuel Orchart Beeton (d. 1877)
[ca. 1880] · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Drawing
Eileen Gray (d. 1976)
ca. 1925 · Opaque matte paint on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Drawing
Eileen Gray (d. 1976)
ca. 1927 · Cut and pasted fabric and cardboard on black painted paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.