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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    627 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    277 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 31 matching records exist across the two collections.

Results for "San Giorgio Maggiore, Venice"12 records

Institutions answered newest-first by record, interleaved

The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio by Luca Carlevaris, The Metropolitan Museum of Art

The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio

Luca Carlevaris (d. 1730)

ca. 1709 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Venice: Saint Mark's Looking toward San Giorgio Maggiore, in Moonlight by Carlo Naya, The Cleveland Museum of Art

Venice: Saint Mark's Looking toward San Giorgio Maggiore, in Moonlight

Carlo Naya (d. 1882)

c. 1870 · Photograph, albumen print

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Island of San Giorgio Maggiore by Giacomo Guardi, The Metropolitan Museum of Art

The Island of San Giorgio Maggiore

Giacomo Guardi (d. 1835)

ca. 1804–28 · Pen and brown ink, gray wash

Cleared · Public Domain

live
The MetSimilar
Piazza San Marco, Venice by Bernardo Bellotto, The Cleveland Museum of Art

Piazza San Marco, Venice

Bernardo Bellotto (d. 1780)

c. 1740 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Island of San Giorgio Maggiore, Venice by Giacomo Guardi, The Metropolitan Museum of Art

The Island of San Giorgio Maggiore, Venice

Giacomo Guardi (d. 1835)

1764–1835 · Pen and brown ink, brush and gray wash, over traces of black chalk. Framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
View of the Isola di San Giorgio Maggiore by Giacomo Guardi, The Metropolitan Museum of Art

View of the Isola di San Giorgio Maggiore

Giacomo Guardi (d. 1835)

1764–1835 · Brush and gouache

Cleared · Public Domain

live
The MetSimilar
San Giorgio Maggiore, Venice by Andrew Fisher Bunner, The Metropolitan Museum of Art

San Giorgio Maggiore, Venice

Andrew Fisher Bunner (d. 1897)

1883 · Black ink on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
San Giorgio Maggiore, Venice by Hercules Brabazon Brabazon, The Metropolitan Museum of Art

San Giorgio Maggiore, Venice

Hercules Brabazon Brabazon (d. 1906)

1840–1906 · Watercolor and gouache (bodycolor) over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

San Giorgio Maggiore

Sir David Young Cameron (d. 1945)

1896 · Etching; only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Palazzo Ducale Seen from San Giorgio Maggiore

Claude Monet (d. 1926)

1908 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Gondolier

James McBey (d. 1959)

1928 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shipping in the Giudecca Canal

James McBey (d. 1959)

1930 · Etching

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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