
Hope
Niccolò Fiorentino (Niccolò di Forzore Spinelli) (d. 1514)
ca. 1464–66 · Marble
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
177 ms. The Metropolitan Museum of Art, Collection API (Open Access)
268 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Hope
Niccolò Fiorentino (Niccolò di Forzore Spinelli) (d. 1514)
ca. 1464–66 · Marble
Cleared · Public Domain
live
Bernardo Soranzo
Andrea Spinelli (d. 1572)
1540 · Bronze
Cleared · Public Domain
live
Cupid Presenting Psyche to the Gods
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540–45 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on brown-washed paper
Cleared · Public Domain
live
Trotting horse
Giambologna (d. 1608)
probably 1587–91 · Bronze
Cleared · Public Domain
live
Virgin and child
Niccolò Roccatagliata (d. 1636)
early 17th century · Bronze
Cleared · Public Domain
live
Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso)
Sebastiano Conca (d. 1764)
ca. 1716–18 · Pen with black-brown and lighter brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on paper washed light brown (recto); pen and medium-brown ink, on unprepared buff paper (verso)
Cleared · Public Domain
live
Nocturnal view of the gondolas' procession in front of the Basilica of San Pietro di Castello
Giovanni Battista Brustolon (d. 1796)
1763 · Etching; first state of four (Succi)
Cleared · Public Domain
live
San Pietro di Castello
Giacomo Guardi (d. 1835)
ca. 1804–28 · Pen and brown ink, gray wash
Cleared · Public Domain
live
San Pietro di Castello, Venice
Andrew Fisher Bunner (d. 1897)
1885 · Black ink and graphite traces on off-white wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci (d. 1519)
ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
San Pietro in Castello, Venice
Frank Duveneck (d. 1919)
1883 · Etching and drypoint, printed with plate tone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Italian Masters, I, Engraved by Timothy Cole, Japan Proofs
Timothy Cole (d. 1931)
1892 · Wood engraving on Japan paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.