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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    177 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    268 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "San Pietro di Castello, Venice"12 records

Institutions answered newest-first by record, interleaved

Hope by Niccolò Fiorentino (Niccolò di Forzore Spinelli), The Metropolitan Museum of Art

Hope

Niccolò Fiorentino (Niccolò di Forzore Spinelli) (d. 1514)

ca. 1464–66 · Marble

Cleared · Public Domain

live
The MetSimilar
Bernardo Soranzo by Andrea Spinelli, The Metropolitan Museum of Art

Bernardo Soranzo

Andrea Spinelli (d. 1572)

1540 · Bronze

Cleared · Public Domain

live
The MetSimilar
Cupid Presenting Psyche to the Gods by Andrea Schiavone (Andrea Meldola), The Metropolitan Museum of Art

Cupid Presenting Psyche to the Gods

Andrea Schiavone (Andrea Meldola) (d. 1563)

ca. 1540–45 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on brown-washed paper

Cleared · Public Domain

live
The MetSimilar
Trotting horse by Giambologna, The Metropolitan Museum of Art

Trotting horse

Giambologna (d. 1608)

probably 1587–91 · Bronze

Cleared · Public Domain

live
The MetSimilar
Virgin and child by Niccolò Roccatagliata, The Metropolitan Museum of Art

Virgin and child

Niccolò Roccatagliata (d. 1636)

early 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso) by Sebastiano Conca, The Metropolitan Museum of Art

Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso)

Sebastiano Conca (d. 1764)

ca. 1716–18 · Pen with black-brown and lighter brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on paper washed light brown (recto); pen and medium-brown ink, on unprepared buff paper (verso)

Cleared · Public Domain

live
The MetSimilar
Nocturnal view of the gondolas' procession in front of the Basilica of San Pietro di Castello by Giovanni Battista Brustolon, The Metropolitan Museum of Art

Nocturnal view of the gondolas' procession in front of the Basilica of San Pietro di Castello

Giovanni Battista Brustolon (d. 1796)

1763 · Etching; first state of four (Succi)

Cleared · Public Domain

live
The MetSimilar
San Pietro di Castello by Giacomo Guardi, The Metropolitan Museum of Art

San Pietro di Castello

Giacomo Guardi (d. 1835)

ca. 1804–28 · Pen and brown ink, gray wash

Cleared · Public Domain

live
The MetSimilar
San Pietro di Castello, Venice by Andrew Fisher Bunner, The Metropolitan Museum of Art

San Pietro di Castello, Venice

Andrew Fisher Bunner (d. 1897)

1885 · Black ink and graphite traces on off-white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

San Pietro in Castello, Venice

Frank Duveneck (d. 1919)

1883 · Etching and drypoint, printed with plate tone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Italian Masters, I, Engraved by Timothy Cole, Japan Proofs

Timothy Cole (d. 1931)

1892 · Wood engraving on Japan paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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