
inlay with row of rosettes
Unrecorded maker
ca. 200 BCE–CE 100 · Glass
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
459 ms. The Metropolitan Museum of Art, Collection API (Open Access)
257 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,157 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

inlay with row of rosettes
Unrecorded maker
ca. 200 BCE–CE 100 · Glass
Cleared · Public Domain
live
Inlay with row of rosettes
Unrecorded maker
ca. 200 BCE–CE 100 · Glass
Cleared · Public Domain
liveFragment from a Molding with Rosettes and Acanthus Clusters
Unrecorded maker
5th–6th century · Limestone; carved in relief
Cleared · Public Domain
live
Fragment from a Molding with Rosettes and Acanthus Clusters
Unrecorded maker
5th–6th century · Limestone; carved in relief
Cleared · Public Domain
live
Fragment with Stamped Leaves and Rosettes
Unrecorded maker
7th–9th century · Earthenware; molded and stamped
Cleared · Public Domain
live
Sarasa with Small Rosettes
Unrecorded maker
18th century · Cotton (painted resist and mordant, dyed)
Cleared · Public Domain
live
Textile Design with a Honeycomb Pattern Formed with Small Rosettes and with Alternating Rows of Hexagons Decorated with Pearls
Anonymous, Alsatian, 19th century (d. 1900)
1840 · Gouache
Cleared · Public Domain
live
Textile Design with a Honeycomb Pattern Formed with Small Rosettes and with Alternating Rows of Rosettes Framed by Pearls
Anonymous, Alsatian, 19th century (d. 1900)
1840 · Gouache
Cleared · Public Domain
live
Textile Design with Basketweave Pattern Background, Small Rosettes Flanked by Two Leaves and Pearls
Anonymous, Alsatian, 19th century (d. 1900)
1840 · Gouache
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with Large Stylized Daisies and Bundles of Small Rosettes
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with Paisley Motifs and Abstract Rosettes
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with Red Rosettes and Yellow Duck Motifs
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.