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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    238 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    343 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 159 matching records exist across the two collections.

Results for "Sash for Use Under Obi"12 records

Institutions answered newest-first by record, interleaved

Sash by an unrecorded maker, The Metropolitan Museum of Art

Sash

Unrecorded maker

10th–15th century · Camelid hair

Cleared · Public Domain

live
The MetSimilar
Poem by the Monk Sosei (act. 850-97) by Suzuki Harunobu, The Metropolitan Museum of Art

Poem by the Monk Sosei (act. 850-97)

Suzuki Harunobu (d. 1770)

ca. 1767–68 · Woodblock print; ink and color on paper, with embossing (karazuri)

Cleared · Public Domain

live
The MetSimilar
Sash by Leo Madjarski, The Metropolitan Museum of Art

Sash

Leo Madjarski (d. 1825)

1767–80 · Compound plain weave, silk and metal-wrapped thread with metallic fringe

Cleared · Public Domain

live
The MetSimilar
Two Women and a Puppy by Nagasawa Rosetsu 長澤蘆雪, The Metropolitan Museum of Art

Two Women and a Puppy

Nagasawa Rosetsu 長澤蘆雪 (d. 1799)

1787–88 · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase) by Chōbunsai Eishi, The Metropolitan Museum of Art

Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase)

Chōbunsai Eishi (d. 1829)

ca. 1794–95 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Parody of Hanshan and Shide (Kanzan and Jittoku) by Isoda Koryūsai, The Metropolitan Museum of Art

Parody of Hanshan and Shide (Kanzan and Jittoku)

Isoda Koryūsai (d. 1790)

late 18th century · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Obi with “Whose Sleeves?” (Tagasode) Pattern by an unrecorded maker, The Metropolitan Museum of Art

Obi with “Whose Sleeves?” (Tagasode) Pattern

Unrecorded maker

first half of 19th century · Twill-weave silk with supplementary weft patterning and metallic thread

Cleared · Public Domain

live
The MetSimilar
Sash for Use Under Obi by an unrecorded maker, The Metropolitan Museum of Art

Sash for Use Under Obi

Unrecorded maker

19th century · Silk / Plain weave crepe

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Evening ensemble

Madame Grès (Germaine Émilie Krebs) (d. 1993)

1968 · silk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sash

Giorgio di Sant'Angelo (d. 1989)

1985 · synthetic fiber

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sash

Giorgio di Sant'Angelo (d. 1989)

1986–88 · synthetic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Obi Sash with Butterflies and Plum Blossoms

Unrecorded maker

second half 20th century · Cotton

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.