Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    254 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    335 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 28 matching records exist across the two collections.

Results for "Saturn (from the Tarocchi, series A: Fi"12 records

Institutions answered newest-first by record, interleaved

Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi by Muhammad ibn Badr al-Din Jajarmi, The Metropolitan Museum of Art

Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi

Muhammad ibn Badr al-Din Jajarmi (d. 1365)

dated 741 AH/1341 CE · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Poetry (Poesia XXVII) by Master of the E-Series Tarocchi, The Metropolitan Museum of Art

Poetry (Poesia XXVII)

Master of the E-Series Tarocchi (d. 1475)

ca. 1465–67 · Engraving with gold hand coloring

Cleared · Public Domain

live
The MetSimilar
Hercules, Bacchus, Pan, and Saturn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Hercules, Bacchus, Pan, and Saturn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Hercules, Bacchus, Pan, and Saturn(?), from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Hercules, Bacchus, Pan, and Saturn(?), from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Saturn; statue of the nude god standing on a socle, holding a scythe in his right hand and a child in his left, plate 1 from "Statues of Roman Gods" by Philips Galle, The Metropolitan Museum of Art

Saturn; statue of the nude god standing on a socle, holding a scythe in his right hand and a child in his left, plate 1 from "Statues of Roman Gods"

Philips Galle (d. 1612)

1586 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Seat of Saturn; Saturn at center, seated on a throne of rubble, conversing with a king and three men who stand before him; lining the walls on each side are four figures of Saturn devouring children; set design from 'La Monarchia Latina Trionfante' by Mathäus Küsel, The Metropolitan Museum of Art

The Seat of Saturn; Saturn at center, seated on a throne of rubble, conversing with a king and three men who stand before him; lining the walls on each side are four figures of Saturn devouring children; set design from 'La Monarchia Latina Trionfante'

Mathäus Küsel (d. 1682)

1678 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saturn, from "Deorum Dearumque Capita: ex vetustis numismatibus in gratiam antiquitatis studiosorum effigiata et edita"

Gerard van Groeningen (d. 1573)

1573 · Etching and engraving; first state of two (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saturn, from Deorum Dearumque Capita : ex vetustis numismatibus in gratiam antiquitatis studiosorum effigiata et edita

Gerard van Groeningen (d. 1573)

1573 · Etching and engraving; first state of two (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The death of Abel, from a series of scenes of the Genesis with scrolling motifs and grotesque figures on black grounds

Etienne Delaune (d. 1583)

before 1573 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Castration of Coelus (Uranus) by his son, Saturn (Cronus); Coelus seated at left, Saturn at right, Gaea standing in the background, after Polidoro da Caravaggio

Giovanni Battista Galestruzzi (d. 1669)

1640–60 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Page depicting a tomb ornamented with Saturn devouring an infant, from Tombeaux ou mausolées, plate 1, bound in Oeuvres. Vol. II

Jean Le Pautre (d. 1682)

published 1661 · Etching; third state of four (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Horizontal Panel with Statues of Saturn, the Earth, Apollo, and Diana on Pedestals, from Liure de Statuês Propres à Tailliere en Marbres et en Pierres et Aussis en Metaille, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1703 or 1712 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.