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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    53 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    21 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Satyrs Admiring the Anamorphosis of an E"12 records

Institutions answered newest-first by record, interleaved

Terracotta stemless kylix (drinking cup) by Painter of New York 69.232, The Metropolitan Museum of Art

Terracotta stemless kylix (drinking cup)

Painter of New York 69.232

ca. 410–380 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Marriage chest (cassone) by an unrecorded maker, The Metropolitan Museum of Art

Marriage chest (cassone)

Unrecorded maker

ca. 1480–95 · Poplar wood; painted and gilded gesso

Cleared · Public Domain

live
The MetSimilar
Saint Sebastian by Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa), The Metropolitan Museum of Art

Saint Sebastian

Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)

1566 · Bronze

Cleared · Public Domain

live
The MetSimilar
Venus and the Lute Player by Titian, The Metropolitan Museum of Art

Venus and the Lute Player

Titian (d. 1576)

ca. 1565–70 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Mirror clock by Master CR, The Metropolitan Museum of Art

Mirror clock

Master CR (d. 1565)

ca. 1565–70 · Case: gilded brass and gilded copper; Dial: gilded brass; Movement: plated frame of iron, iron wheels

Cleared · Public Domain

live
The MetSimilar
Doorknocker with a Triton and a Nereid by an unrecorded maker, The Metropolitan Museum of Art

Doorknocker with a Triton and a Nereid

Unrecorded maker

late 16th century · Bronze, iron (hammer and suspension loop)

Cleared · Public Domain

live
The MetSimilar
Satyrs Admiring the Anamorphosis of an Elephant by Hans Troschel, The Metropolitan Museum of Art

Satyrs Admiring the Anamorphosis of an Elephant

Hans Troschel (d. 1628)

17th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Fountain and basin by Meissen Manufactory, The Metropolitan Museum of Art

Fountain and basin

Meissen Manufactory (d. 9999)

ca. 1727–32 · Hard-paste porcelain decorated in polychrome enamels, gold; silver spout

Cleared · Public Domain

live
The MetSimilar
Side table (one of a pair) by Matthias Lock, The Metropolitan Museum of Art

Side table (one of a pair)

Matthias Lock (d. 1760)

ca. 1740 · Carved gilded pine with modern scagliola top

Cleared · Public Domain

live
The MetSimilar
Side table (one of a pair) by Matthias Lock, The Metropolitan Museum of Art

Side table (one of a pair)

Matthias Lock (d. 1760)

ca. 1740 · Carved gilded pine with modern scagliola top

Cleared · Public Domain

live
The MetSimilar
Woman Admiring Plum Blossoms at Night by Suzuki Harunobu 鈴木春信, The Metropolitan Museum of Art

Woman Admiring Plum Blossoms at Night

Suzuki Harunobu 鈴木春信 (d. 1770)

ca. 1766 · Woodblock print (nishiki-e) with embossing (karazuri); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Vase by Matthew Boulton, The Metropolitan Museum of Art

Vase

Matthew Boulton (d. 1809)

ca. 1772 · White opaque glass, gilt-bronze mounts

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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