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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    334 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    290 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 50 matching records exist across the two collections.

Results for "Scène de Sacrifice (Antique Sacrifice),"12 records

Institutions answered newest-first by record, interleaved

Stirrup-spout bottle with mountain sacrifice scene by Moche artist, The Metropolitan Museum of Art

Stirrup-spout bottle with mountain sacrifice scene

Moche artist

500–800 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Sacrifice on the Campus Martius, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Sacrifice on the Campus Martius, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt by Giovanni Lanfranco, The Metropolitan Museum of Art

Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt

Giovanni Lanfranco (d. 1647)

1582–1647 · Pen and brown ink, brush and brown wash, over traces of red chalk, highlighted with white gouache, on blue paper; architectural moldings above and below indicated in ruled black chalk lines

Cleared · Public Domain

live
The MetSimilar
Sacrifice Offered before a Statue of Jupiter by Louis de Boullogne the Elder, The Metropolitan Museum of Art

Sacrifice Offered before a Statue of Jupiter

Louis de Boullogne the Elder (d. 1674)

17th century · Pen and black ink, heightened with white gouache over black chalk

Cleared · Public Domain

live
The MetSimilar
The Sacrifice of Iphigenia by Charles de la Fosse, The Metropolitan Museum of Art

The Sacrifice of Iphigenia

Charles de la Fosse (d. 1716)

ca. 1755–60 · Enamel on copper

Cleared · Public Domain

live
The MetSimilar
Scène de Sacrifice (Antique Sacrifice), from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger) by Jean Jacques Lagrenée, The Metropolitan Museum of Art

Scène de Sacrifice (Antique Sacrifice), from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger)

Jean Jacques Lagrenée (d. 1821)

1784 · Etching and aquatint

Cleared · Public Domain

live
The MetSimilar
Antique Scene, Sacrifice with Bacchantes, Ancient Sculpture by Louise Pithoud, The Metropolitan Museum of Art

Antique Scene, Sacrifice with Bacchantes, Ancient Sculpture

Louise Pithoud

1791 · Aquatint, etching, and crayon manner engraving with blue printed border

Cleared · Public Domain

live
The MetSimilar
Scene of Antique Sacrifice by Giuseppe Bernardino Bison, The Metropolitan Museum of Art

Scene of Antique Sacrifice

Giuseppe Bernardino Bison (d. 1844)

1762–1844 · Pen and brown ink, brush and brown and pink wash, over black chalk or graphite; framing lines in pen and brown ink, and, at the left border, in graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wilton album, folio 51: A Pagan Religious Ceremony; eight male figures standing around a flaming altar, the figure on the right pouring libations on the flames

Bartolomeo Passerotti (d. 1592)

1550–60 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragmens de Basreliefs antiques representant un Sacrifice, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Sacrifice du Suovetaurilia, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sacrifice du Suovetaurilia d'après l'Antique, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Jean Barbault (d. 1762)

1770 · Etching

In copyright

live
The MetSimilar

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