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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    508 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    702 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 83 matching records exist across the two collections.

Results for "Scene 34: To satisfy the devotion of the"7 records

Institutions answered newest-first by record, interleaved

The Man of Sorrows by an unrecorded maker, The Metropolitan Museum of Art

The Man of Sorrows

Unrecorded maker

last quarter 14th century · Champlevé enamel, gilded copper

Cleared · Public Domain

live
The MetSimilar
The Madonna of Humility, the Annunciation, the Nativity, and the Pietà by Bartolomeo Vivarini, The Metropolitan Museum of Art

The Madonna of Humility, the Annunciation, the Nativity, and the Pietà

Bartolomeo Vivarini (d. 1491)

ca. 1465 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Adoration of the Shepherds by Francesco di Marco Marmitta da Parma, The Metropolitan Museum of Art

Adoration of the Shepherds

Francesco di Marco Marmitta da Parma (d. 1505)

ca. 1500 · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
The Parable of the Good Shepherd by Anonymous, Netherlandish, late 16th century, The Metropolitan Museum of Art

The Parable of the Good Shepherd

Anonymous, Netherlandish, late 16th century (d. 1600)

ca. 1570 · Etching printed on two horizontal sheets

Cleared · Public Domain

live
The MetSimilar
Scene 34: To satisfy the devotion of the people, they are forced to leave the Blessed Abbot's body on display for three days; many miracles are performed by Matthieu Elias, The Metropolitan Museum of Art

Scene 34: To satisfy the devotion of the people, they are forced to leave the Blessed Abbot's body on display for three days; many miracles are performed

Matthieu Elias (d. 1741)

1706–07 · Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite

Cleared · Public Domain

live
The MetSimilar
Scène d’Octobre: La jeune poitrinaire (An October Scene: The Young Consumptive), from "Le Journal Illustré" no. 34 by Henry Peach Robinson, The Metropolitan Museum of Art

Scène d’Octobre: La jeune poitrinaire (An October Scene: The Young Consumptive), from "Le Journal Illustré" no. 34

Henry Peach Robinson (d. 1901)

October 2–9, 1864 · Wood engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scene from the Noh Play "Takasago"

Tsukioka Kōgyo (d. 1927)

ca. 1910 · Woodblock print; ink and color on paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.