
Battle scene of Assyrians storming a citadel
Unrecorded maker
ca. 704–681 BCE · Gypsum alabaster
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
228 ms. The Metropolitan Museum of Art, Collection API (Open Access)
316 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 301 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Battle scene of Assyrians storming a citadel
Unrecorded maker
ca. 704–681 BCE · Gypsum alabaster
Cleared · Public Domain
live
Bowl with a metalworking scene
Nasca artist(s)
1–300 CE · Ceramic, slip
Cleared · Public Domain
live
Scene from a Novella
Liberale da Verona (d. 1529)
1476 · Tempera on wood
Cleared · Public Domain
live
Le Maraviglie del Mondo nuovo
Stefano della Bella (d. 1664)
ca. 1630–40 · Pen and brown ink, brush and gray wash, over black chalk
Cleared · Public Domain
live
A Peep at Christies;–or–Tally-ho & his Nimeny-pimeney taking the Morning Lounge
James Gillray (d. 1815)
September 24, 1796 · Hand-colored etching and aquatint
Cleared · Public Domain
live
A Peep at Christies;–or–Tally-ho & his Nimeny-pimeney taking the Morning Lounge
James Gillray (d. 1815)
September 24, 1796 · Hand-colored etching and aquatint
Cleared · Public Domain
live
Scene at a Fair: A Magician
Anonymous, French, 18th century (d. 1800)
18th century · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Scene at a Fair: A Peep Show
Anonymous, French, 18th century (d. 1800)
18th century · Pen and brown ink, brush and brown wash
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Scene at the London Museum Piccadilly, or, A peep at the Spoils of Ambition taken at the Battle of Waterloo being a new Tax on John Bull for 1816 &c &c
George Cruikshank (d. 1878)
August 1, 1835 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Ould Times" at Donnybrook Fair
Currier & Ives (d. 1907)
1857 - 1872 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Poultry Show on a Bust: Bad for the Dog
Nicholas Winfield Scott Leighton (d. 1898)
1883 · Hand-colored lithograph, with touches of gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman's theatrical costume for 'Jam Session', a scene from "The Show Is On"
Vincente Minnelli (d. 1986)
1937 · Color pencil
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.