
Esau Selling His Birthright to Jacob from The Story of Jacob series
Unrecorded maker
1550–75 · Wool, silk (18 warps per inch, 6–7 per cm.)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
347 ms. The Metropolitan Museum of Art, Collection API (Open Access)
528 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,488 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Esau Selling His Birthright to Jacob from The Story of Jacob series
Unrecorded maker
1550–75 · Wool, silk (18 warps per inch, 6–7 per cm.)
Cleared · Public Domain
live
Jacob Burying Idols Under an Oak Tree from The Story of Jacob series
Unrecorded maker
1550–75 · Wool, silk (18 warps per inch, 6–7 per cm.)
Cleared · Public Domain
live
Jacob Sacrificing After Making a Covenant with Laban from The Story of Jacob series
Unrecorded maker
1550–75 · Wool, silk (18 warps per inch, 6–7 per cm.)
Cleared · Public Domain
live
Rachel Giving Bilhah to Jacob from The Story of Jacob series
Unrecorded maker
1550–75 · Wool, silk (18 warps per inch, 6–7 per cm.)
Cleared · Public Domain
live
Samson and the Lion, from "The Story of Samson"
Anonymous, French, 16th century (d. 1600)
ca. 1560–80 · Woodcut with pochoir (stencil) and hand coloring
Cleared · Public Domain
live
Story of Gombaut and Macée
Unrecorded maker
ca. 1600 · Wool and silk on canvas
Cleared · Public Domain
live
Design for the Fontana di Venere e Adone, Reggia di Caserta, Naples
Fedele Fischetti (d. 1792)
ca. 1780 · Pen and black ink, gray wash, over black chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Story of Apollo and Diana: Apollo killing Python
Etienne Delaune (d. 1583)
1547–48 · Engraving: First state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Story of Apollo and Diana: Diana lamenting the death of Orion
Etienne Delaune (d. 1583)
1547–48 · Engraving: First state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Story of Apollo and Diana: Leto and the Lycian Peasants
Etienne Delaune (d. 1583)
1547–48 · Engraving; first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scene from the Story of Adonis set inside of an Oval Design
Antoine Jacquard (d. 1630)
ca. 1610–40 · Engraving and blackwork
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scene from the Story of Adonis set inside of an Oval Design
Antoine Jacquard (d. 1630)
ca. 1610–40 · Engraving and blackwork
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.