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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    356 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    409 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 32 matching records exist across the two collections.

Results for "Scene in the Fortifications at Camp Esse"12 records

Institutions answered newest-first by record, interleaved

The Battle with the Sagittary and the Conference at Achilles' Tent (from Scenes from the Story of the Trojan War) by Jean or Pasquier Grenier, The Metropolitan Museum of Art

The Battle with the Sagittary and the Conference at Achilles' Tent (from Scenes from the Story of the Trojan War)

Jean or Pasquier Grenier

ca. 1470–90 · Wool warp, wool wefts with a few silk wefts

Cleared · Public Domain

live
The MetSimilar
King Lear and Cordelia (Shakespeare, King Lear, Act 4, Scene 7) by Francesco Bartolozzi, The Metropolitan Museum of Art

King Lear and Cordelia (Shakespeare, King Lear, Act 4, Scene 7)

Francesco Bartolozzi (d. 1815)

ca. 1783 · Stipple engraving, printed in brown ink

Cleared · Public Domain

live
The MetSimilar
Kabuki Scene at Kumagai's Camp, from the play The Chronicle of the Battle of Ichinotani (Ichinotani futaba gunki) by Utagawa Kunisada, The Metropolitan Museum of Art

Kabuki Scene at Kumagai's Camp, from the play The Chronicle of the Battle of Ichinotani (Ichinotani futaba gunki)

Utagawa Kunisada (d. 1864)

1811 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Scène près d'un étang au moulin du Petit-Mourmelon by Gustave Le Gray, The Metropolitan Museum of Art

Scène près d'un étang au moulin du Petit-Mourmelon

Gustave Le Gray (d. 1884)

1857 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Scene in the Fortifications at Camp Essex, Maryland by Unknown, The Metropolitan Museum of Art

Scene in the Fortifications at Camp Essex, Maryland

Unknown

1861 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[Camp Scene with Soldiers of the 22nd New York State Militia, Harper's Ferry, Virginia] by Mathew B. Brady, The Metropolitan Museum of Art

[Camp Scene with Soldiers of the 22nd New York State Militia, Harper's Ferry, Virginia]

Mathew B. Brady (d. 1896)

1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Life in Camp – "Preparing for Supper" by Thomas Nast, The Metropolitan Museum of Art

Life in Camp – "Preparing for Supper"

Thomas Nast (d. 1902)

1863 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar
The Camp Meeting by Worthington Whittredge, The Metropolitan Museum of Art

The Camp Meeting

Worthington Whittredge (d. 1910)

1874 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vibhishana in the Camp of Rama, folio from a Ramayana series

Unrecorded maker

ca. 1700 · Opaque watercolor and gold on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Painting of The Campfires at Camp de Chalons by Bénédict Masson]

Gustave Le Gray (d. 1884)

1857 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Battle of the Little Bighorn

Standing Bear/ Mató Nájin (d. 1933)

ca. 1920 · Pencil, ink, and watercolor on muslin

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Logging Scene (Hauling the Logs to the Pile)

Thomas Hart Benton (d. 1975)

1928 · Brush and black ink and wash over graphite on paper

In copyright

live
The MetSimilar

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