Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    960 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    481 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 37 matching records exist across the two collections.

Results for "Scene with Saint Peter Healing the Lame"12 records

Institutions answered newest-first by record, interleaved

Panel with Scene from the Life of a Saint by an unrecorded maker, The Metropolitan Museum of Art

Panel with Scene from the Life of a Saint

Unrecorded maker

second half 11th century · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Presentation Scene with Saint Peter Martyr and Three Donors by Giovanni di Balduccio, The Metropolitan Museum of Art

Presentation Scene with Saint Peter Martyr and Three Donors

Giovanni di Balduccio (d. 1349)

ca. 1340 · Marble

Cleared · Public Domain

live
The MetSimilar
Saint Peter Martyr Healing the Leg of a Young Man by Antonio Vivarini, The Metropolitan Museum of Art

Saint Peter Martyr Healing the Leg of a Young Man

Antonio Vivarini (d. 1484)

ca. 1450 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso) by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso)

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1524–27 · Pen and brown ink, brush and gray-brown wash, over traces of leadpoint and some stylus ruling (recto); printed Jupiter enthroned with attendant eagle (verso)

Cleared · Public Domain

live
The MetSimilar
Saints Peter and John healing the Sick by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Saints Peter and John healing the Sick

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

16th century · Etching with pink tone block

Cleared · Public Domain

live
The MetSimilar
Saints Peter and John healing the Sick by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Saints Peter and John healing the Sick

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

early 16th century · Etching with two browny-green tone blocks

Cleared · Public Domain

live
The MetSimilar
St. Peter and St. John healing the lame man at the gate of the temple by Battista Franco, The Metropolitan Museum of Art

St. Peter and St. John healing the lame man at the gate of the temple

Battista Franco (d. 1561)

ca. 1554–61 · Etching (second state)

Cleared · Public Domain

live
The MetSimilar
Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple by Bartholomeus Spranger, The Metropolitan Museum of Art

Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple

Bartholomeus Spranger (d. 1611)

ca. 1590 · Pen and brown ink, brush and brown wash, heightened with white, over red chalk on blue paper. Partially visible framing lines in pen and brown ink on left and bottom edges

Cleared · Public Domain

live
The MetSimilar
The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist by Peter Paul Rubens, The Metropolitan Museum of Art

The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist

Peter Paul Rubens (d. 1640)

early or mid-1630s · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Saints Peter and John Healing the Lame Man by Nicolas Poussin, The Metropolitan Museum of Art

Saints Peter and John Healing the Lame Man

Nicolas Poussin (d. 1665)

1655 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Scene with Saint Peter Healing the Lame in a Rocaille Cartouche by Johann Lorenz Haid, The Metropolitan Museum of Art

Scene with Saint Peter Healing the Lame in a Rocaille Cartouche

Johann Lorenz Haid (d. 1750)

ca. 1725–50 · Red chalk, over black chalk, red wash; framing line black ink, probably by the artist; verso: made red with chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wilton album, folio 26d: Saint Peter and Saint John Healing the Lame Man

Andrea Schiavone (Andrea Meldola) (d. 1563)

1540–50 · Etching and drypoint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.