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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    287 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    263 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 280 matching records exist across the two collections.

Results for "Scenes from a King's Thirty-Year Jubilee"12 records

Institutions answered newest-first by record, interleaved

Scenes from a King's Thirty-Year Jubilee by an unrecorded maker, The Metropolitan Museum of Art

Scenes from a King's Thirty-Year Jubilee

Unrecorded maker

ca. 2575–2551 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Ointment jar inscribed with the name of Pepi I by an unrecorded maker, The Metropolitan Museum of Art

Ointment jar inscribed with the name of Pepi I

Unrecorded maker

ca. 2289–2255 BCE · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Statue of Nebhepetre Mentuhotep II in the Jubilee Garment by an unrecorded maker, The Metropolitan Museum of Art

Statue of Nebhepetre Mentuhotep II in the Jubilee Garment

Unrecorded maker

ca. 2051–2000 B.C. · Sandstone, paint

Cleared · Public Domain

live
The MetSimilar
Lintel depicting King Amenemhat I flanked by Nekhbet, Horus, Anubis, and Wadjet by an unrecorded maker, The Metropolitan Museum of Art

Lintel depicting King Amenemhat I flanked by Nekhbet, Horus, Anubis, and Wadjet

Unrecorded maker

ca. 1981–1952 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Head of King Amenemhat III by an unrecorded maker, The Metropolitan Museum of Art

Head of King Amenemhat III

Unrecorded maker

ca. 1859–1813 B.C. · Granodiorite

Cleared · Public Domain

live
The MetSimilar
Arm Panel From a Ceremonial Chair of Thutmose IV by an unrecorded maker, The Metropolitan Museum of Art

Arm Panel From a Ceremonial Chair of Thutmose IV

Unrecorded maker

ca. 1396–1386 BCE · Wood (<em>Ficus sycomorus</em>?)

Cleared · Public Domain

live
The MetSimilar
Doorjamb from a Temple of Ramesses II by an unrecorded maker, The Metropolitan Museum of Art

Doorjamb from a Temple of Ramesses II

Unrecorded maker

ca. 1290–1224 BCE · Granite

Cleared · Public Domain

live
The MetSimilar
Relief of a goddess offering a palm rib by an unrecorded maker, The Metropolitan Museum of Art

Relief of a goddess offering a palm rib

Unrecorded maker

ca. 818–779 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
“A Branch of Sacred Evergreen” (Sakaki), from the Moriyasu Version, known as the Phantom Genji Scrolls (Maboroshi no Genji monogatari emaki, Moriyasu-bon) by an unrecorded maker, The Metropolitan Museum of Art

“A Branch of Sacred Evergreen” (Sakaki), from the Moriyasu Version, known as the Phantom Genji Scrolls (Maboroshi no Genji monogatari emaki, Moriyasu-bon)

Unrecorded maker

mid-17th century · Handscroll section mounted on board; ink, color, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Back Plate of a Gorget by an unrecorded maker, The Metropolitan Museum of Art

Back Plate of a Gorget

Unrecorded maker

ca. 1650–60 · Steel, silver, gold

Cleared · Public Domain

live
The MetSimilar
The Angel Appearing to Zacharias by William Blake, The Metropolitan Museum of Art

The Angel Appearing to Zacharias

William Blake (d. 1827)

1799–1800 · Pen and black ink, tempera, and glue size on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Soldier

Emilio Monti (d. 1981)

1936 · Struck medal of copper alloy with reddish brown patina.

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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