
Lamp
Unrecorded maker
ca. 6th–8th century CE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
283 ms. The Metropolitan Museum of Art, Collection API (Open Access)
311 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 83 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Lamp
Unrecorded maker
ca. 6th–8th century CE · Ceramic
Cleared · Public Domain
live
Birds and Flowers
Unrecorded maker
late 1800s · Painting, Ten-panel folding screen with designs and inscriptions burnt into paper (pyrography)
Cleared · CC0
live
Mirror with moon goddess and rabbit
Unrecorded maker
8th–9th century · Bronze
Cleared · Public Domain
live
Krishna Playing with the Gopis in the Yamuna
Unrecorded maker
c. 1770 · Painting, gum tempera and gold on paper
Cleared · CC0
live
Ceiling Tile with Fish
Unrecorded maker
late 1400s to mid-1500s · Earthenware with slip decoration and paint
Cleared · Public Domain
live
The Pyramids of Saqqara, from the Northeast
Francis Frith (d. 1898)
1858 · Photograph, albumen print from wet collodion negative
Cleared · CC0
live
Freshwater Jar (Mizusashi), Named “Hotei”
Unrecorded maker
ca. 1600 · Stoneware with natural ash glaze (Iga ware)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Allegory of Summer
Pietro Testa (d. 1650)
ca. 1642–44 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three Qajar Gold-Damascened Steel Fruits
Unrecorded maker
dated 1325 AH/1907–1908 CE · Steel; damascened with gold
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Battle of Karbala
Abdallah Musavvar (d. 1931)
late 19th–early 20th century · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Parda Painting Depicting the Battle of Karbala
Unrecorded maker
early 20th century · Oil on unstretched canvas (rolled)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saqqakhana Collage
Parviz Kalantari (d. 2016)
dated 1371 Shamsi/1991CE · Mixed media: mud and hay mixture, ceramic, iron, beads, ribbons, and tassels
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.