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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    942 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    449 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Scribner's, Mid-Summer Fiction Number, A"12 records

Institutions answered newest-first by record, interleaved

The Actor Onoe Fujaku III as Kobayakawa Takakage by Seiyōsai Shunshi 青陽斎春子, The Metropolitan Museum of Art

The Actor Onoe Fujaku III as Kobayakawa Takakage

Seiyōsai Shunshi 青陽斎春子 (d. 1829)

mid-1820s · Woodblock print (nishiki-e); ink and color on paper; vertical ōban

Cleared · Public Domain

live
The MetSimilar
Landscape by Kenyon Cox, The Metropolitan Museum of Art

Landscape

Kenyon Cox (d. 1919)

1883 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scribner's, Fiction Number

Blanche McManus Mansfield (d. 1929)

1895 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scribner's, July, Fiction Number

William Hicok Low (d. 1932)

1896 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scribner's, August, Fiction Number

Maxfield Parrish (d. 1966)

1897 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scribner's, August Fiction Number

William James Glackens (d. 1938)

1899 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scribner's, Mid-Summer Fiction Number, August

Bernhardt Wall (d. 1956)

1903 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Book and Glass

Juan Gris (d. 1927)

Paris, spring 1914 · Cut printed and painted papers, blue paper and tracing paper, with black and blue-green crayon, charcoal and and black oil paint on canvas, mounted to a honeycomb panel

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cup, Glasses, and Bottle (Le Journal)

Juan Gris (d. 1927)

Paris, spring–summer 1914 · Conté crayon, gouache, oil, cut-and-pasted newspaper, white laid paper, printed wallpaper (three types), selectively varnished; adhered overall onto a sheet of newspaper, mounted to primed canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Bottle

Juan Gris (d. 1927)

Paris, spring–summer 1914 · Conté crayon, wax crayon, gouache, watercolor, cut-and-pasted newspaper, printed wallpaper (two types), white, brown, and tan wove cut papers; adhered overall onto newspaper, mounted to primed canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Paul Verlaine

Pablo Picasso (d. 1973)

1945 · Brush and pen and black ink on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bògòlanfini (mineral-dyed cloth)

Gneli Traoré (d. 2002)

1969 · Cotton, dye

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.