
The Actor Onoe Fujaku III as Kobayakawa Takakage
Seiyōsai Shunshi 青陽斎春子 (d. 1829)
mid-1820s · Woodblock print (nishiki-e); ink and color on paper; vertical ōban
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
942 ms. The Metropolitan Museum of Art, Collection API (Open Access)
449 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Actor Onoe Fujaku III as Kobayakawa Takakage
Seiyōsai Shunshi 青陽斎春子 (d. 1829)
mid-1820s · Woodblock print (nishiki-e); ink and color on paper; vertical ōban
Cleared · Public Domain
live
Landscape
Kenyon Cox (d. 1919)
1883 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scribner's, Fiction Number
Blanche McManus Mansfield (d. 1929)
1895 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scribner's, July, Fiction Number
William Hicok Low (d. 1932)
1896 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scribner's, August, Fiction Number
Maxfield Parrish (d. 1966)
1897 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scribner's, August Fiction Number
William James Glackens (d. 1938)
1899 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scribner's, Mid-Summer Fiction Number, August
Bernhardt Wall (d. 1956)
1903 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Book and Glass
Juan Gris (d. 1927)
Paris, spring 1914 · Cut printed and painted papers, blue paper and tracing paper, with black and blue-green crayon, charcoal and and black oil paint on canvas, mounted to a honeycomb panel
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cup, Glasses, and Bottle (Le Journal)
Juan Gris (d. 1927)
Paris, spring–summer 1914 · Conté crayon, gouache, oil, cut-and-pasted newspaper, white laid paper, printed wallpaper (three types), selectively varnished; adhered overall onto a sheet of newspaper, mounted to primed canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Bottle
Juan Gris (d. 1927)
Paris, spring–summer 1914 · Conté crayon, wax crayon, gouache, watercolor, cut-and-pasted newspaper, printed wallpaper (two types), white, brown, and tan wove cut papers; adhered overall onto newspaper, mounted to primed canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Paul Verlaine
Pablo Picasso (d. 1973)
1945 · Brush and pen and black ink on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bògòlanfini (mineral-dyed cloth)
Gneli Traoré (d. 2002)
1969 · Cotton, dye
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.