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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    744 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    368 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 263 matching records exist across the two collections.

Results for "Sealing wax case (étui)"12 records

Institutions answered newest-first by record, interleaved

Sealing wax case (étui) by Jean Ducrollay, The Metropolitan Museum of Art

Sealing wax case (étui)

Jean Ducrollay (d. 1760)

1756–62 · Gold, enamel

Cleared · Public Domain

live
The MetSimilar
Sealing wax case (étui) by an unrecorded maker, The Metropolitan Museum of Art

Sealing wax case (étui)

Unrecorded maker

1762–63 · Gold

Cleared · Public Domain

live
The MetSimilar
Sealing wax case (étui) by Melchior-René Barré, The Metropolitan Museum of Art

Sealing wax case (étui)

Melchior-René Barré (d. 1791)

1774 · Varicolored gold

Cleared · Public Domain

live
The MetSimilar
Sealing wax case (étui) by an unrecorded maker, The Metropolitan Museum of Art

Sealing wax case (étui)

Unrecorded maker

1774–75 · Gold

Cleared · Public Domain

live
The MetSimilar
Sealing wax case (étui) by Nicolas-Jean-Baptiste Choconain-Delauney, The Metropolitan Museum of Art

Sealing wax case (étui)

Nicolas-Jean-Baptiste Choconain-Delauney (d. 1793)

1777–78 · Gold and enamel

Cleared · Public Domain

live
The MetSimilar
Sealing wax case (étui) by an unrecorded maker, The Metropolitan Museum of Art

Sealing wax case (étui)

Unrecorded maker

1777–78 · Gold

Cleared · Public Domain

live
The MetSimilar
Sealing wax case (étui) by an unrecorded maker, The Metropolitan Museum of Art

Sealing wax case (étui)

Unrecorded maker

1775–81 · Varicolored gold

Cleared · Public Domain

live
The MetSimilar
Sealing wax case (étui) by an unrecorded maker, The Metropolitan Museum of Art

Sealing wax case (étui)

Unrecorded maker

1781–82 · Varicolored gold

Cleared · Public Domain

live
The MetSimilar
Sealing wax case (étui) by Nicolas-Jean-Baptiste Choconain-Delauney, The Metropolitan Museum of Art

Sealing wax case (étui)

Nicolas-Jean-Baptiste Choconain-Delauney (d. 1793)

1782–83 · Gold

Cleared · Public Domain

live
The MetSimilar
Sealing wax case (étui) by an unrecorded maker, The Metropolitan Museum of Art

Sealing wax case (étui)

Unrecorded maker

1784–85 · Gold and enamel

Cleared · Public Domain

live
The MetSimilar
Sealing wax case (étui) by Georges-Antoine Croze, The Metropolitan Museum of Art

Sealing wax case (étui)

Georges-Antoine Croze (d. 1790)

1785–86 · Gold, enamel

Cleared · Public Domain

live
The MetSimilar
Sealing wax case (étui) by Jean-François Mancel, The Metropolitan Museum of Art

Sealing wax case (étui)

Jean-François Mancel (d. 1806)

1789–90 · Gold

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.