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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    893 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    330 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 410 matching records exist across the two collections.

Results for "Seated Amitayus Buddha"12 records

Institutions answered newest-first by record, interleaved

Seated Buddha by an unrecorded maker, The Metropolitan Museum of Art

Seated Buddha

Unrecorded maker

1st to mid-2nd century · Bronze with traces of gold leaf

Cleared · Public Domain

live
The MetSimilar
Seated Amitayus Buddha by an unrecorded maker, The Cleveland Museum of Art

Seated Amitayus Buddha

Unrecorded maker

c. 570s · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Seated Protective Buddha by an unrecorded maker, The Metropolitan Museum of Art

Seated Protective Buddha

Unrecorded maker

second half 6th century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Fang Xuanling Pedestal by an unrecorded maker, The Cleveland Museum of Art

Fang Xuanling Pedestal

Unrecorded maker

647 · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Seated Buddha by an unrecorded maker, The Metropolitan Museum of Art

Seated Buddha

Unrecorded maker

6th–7th century · Terracotta

Cleared · Public Domain

live
The MetSimilar
Seated Buddha by an unrecorded maker, The Metropolitan Museum of Art

Seated Buddha

Unrecorded maker

7th–8th century · Sandstone

Cleared · Public Domain

live
The MetSimilar
Seated Buddha by an unrecorded maker, The Metropolitan Museum of Art

Seated Buddha

Unrecorded maker

8th–early 9th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Seated Buddha Amitabha by an unrecorded maker, The Metropolitan Museum of Art

Seated Buddha Amitabha

Unrecorded maker

ca. first half of the 9th century · Andesite

Cleared · Public Domain

live
The MetSimilar
Seated Buddha by an unrecorded maker, The Metropolitan Museum of Art

Seated Buddha

Unrecorded maker

10th–11th century · Gilt bronze

Cleared · Public Domain

live
The MetSimilar
Amitayus, the Buddha of Eternal Life by an unrecorded maker, The Metropolitan Museum of Art

Amitayus, the Buddha of Eternal Life

Unrecorded maker

11th or early 12th century · Distemper on cloth

Cleared · Public Domain

live
The MetSimilar
Seated Amitāyus, the Buddha of Eternal Life by an unrecorded maker, The Metropolitan Museum of Art

Seated Amitāyus, the Buddha of Eternal Life

Unrecorded maker

ca. 11th–12th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Enthroned Amitayus by an unrecorded maker, The Metropolitan Museum of Art

Enthroned Amitayus

Unrecorded maker

early 15th century · Bronze with silver and copper inlay

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.