
Condemned Soldiers from Scenes from the Life of Saint Nicholas
Unrecorded maker
ca. 1200–1210 · Pot-metal glass and vitreous paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
298 ms. The Metropolitan Museum of Art, Collection API (Open Access)
334 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Condemned Soldiers from Scenes from the Life of Saint Nicholas
Unrecorded maker
ca. 1200–1210 · Pot-metal glass and vitreous paint
Cleared · Public Domain
live
Scenes from the Legend of Saint Vincent of Saragossa and the History of His Relics
Unrecorded maker
ca. 1245–47 · Pot-metal glass, vitreous paint, and lead
Cleared · Public Domain
live
The Hours of Jeanne d'Evreux, Queen of France
Jean Pucelle (d. 1334)
ca. 1324–28 · Grisaille, tempera, and ink on vellum
Cleared · Public Domain
live
Half of a Prayer Bead with the Prayer of the Rosary
Unrecorded maker
early 16th century · Boxwood, silver
Cleared · Public Domain
live
Bishop Saint in Bust-Length (Cartoon for an Altarpiece)
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1529–30 · Brush and brown wash over black chalk
Cleared · Public Domain
live![Madonna and Child [Madonna and Child with St. Catherine, St. Joseph and A Bishop] by Giulio Bonasone, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP269704.jpg)
Madonna and Child [Madonna and Child with St. Catherine, St. Joseph and A Bishop]
Giulio Bonasone (d. 1576)
1576
Cleared · Public Domain
live
Seated Bishop Saint Praying Before a Crucifix (recto); cropped figure of a youth, frontal view (verso)
Anonymous, Spanish, late 16th–early 17th century (d. 1620)
1570–1620 · Pen and brown ink over black chalk (recto); pen and dark brown ink (verso)
Cleared · Public Domain
live
The Virgin and Child with Saint John the Baptist, Pope Saint Dionysius, Filippo Neri and a Male Saint
Baccio (Lorenzo Bartolo) Ciarpi (d. 1654)
ca. 1620 · Black chalk, highlighted with blue wash
Cleared · Public Domain
live
Youth Kneeling before a Prelate (recto); Another Study of a Youth Kneeling before a Prelate (verso)
Guercino (Giovanni Francesco Barbieri) (d. 1666)
ca. 1620 · Pen and brown ink, brush and light brown wash (recto and verso)
Cleared · Public Domain
live
King David with Angels
Morazzone (Pier Francesco Mazzucchelli) (d. 1626)
ca. 1625–26 · Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of charcoal or black chalk; squared in red chalk on blue paper
Cleared · Public Domain
live
Saint Francis Renouncing His Worldly Goods
Luigi Garzi (d. 1721)
1696–97 · Pen and brown ink, brush and brown wash. Squared in black chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Standing Female Figure (St. Anne; Cartoon for a Painting)
Vittore Carpaccio (d. 1526)
ca. 1502–4 · Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.