Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    251 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    309 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 44 matching records exist across the two collections.

Results for "Seated Goddess Diana (recto); Studies of"12 records

Institutions answered newest-first by record, interleaved

Standing Youth with Hands Behind His Back, and a Seated Youth Reading (recto); Two Studies of Hands (verso) by Filippino Lippi, The Metropolitan Museum of Art

Standing Youth with Hands Behind His Back, and a Seated Youth Reading (recto); Two Studies of Hands (verso)

Filippino Lippi (d. 1504)

1457/58–1504 · Metalpoint, highlighted with white gouache, on pink prepared paper (recto); metalpoint, on pink prepared paper (verso)

Cleared · Public Domain

live
The MetSimilar
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) by Michelangelo Buonarroti, The Metropolitan Museum of Art

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)

Michelangelo Buonarroti (d. 1564)

ca. 1510–11 · Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)

Cleared · Public Domain

live
The MetSimilar
Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso) by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso)

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

ca. 1522 · Red chalk

Cleared · Public Domain

live
The MetSimilar
Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso) by Taddeo Zuccaro, The Metropolitan Museum of Art

Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso)

Taddeo Zuccaro (d. 1566)

1529–66 · Pen and brown ink, brush and brown wash, traces of red chalk (recto), red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso) by Taddeo Zuccaro, The Metropolitan Museum of Art

Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso)

Taddeo Zuccaro (d. 1566)

1529–66 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
The Goddess Diana as a Personification of the Moon (Luna) by Jacques Jonghelinck, The Metropolitan Museum of Art

The Goddess Diana as a Personification of the Moon (Luna)

Jacques Jonghelinck (d. 1606)

1563–85 · Pen and brown ink, brush and brown and blue wash, red chalk, white gouache, over black chalk; squared in black chalk

Cleared · Public Domain

live
The MetSimilar
Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso) by Guercino (Giovanni Francesco Barbieri), The Metropolitan Museum of Art

Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso)

Guercino (Giovanni Francesco Barbieri) (d. 1666)

1621 · Red chalk on blue paper

Cleared · Public Domain

live
The MetSimilar
Figure Studies: Seated Female Holding a Book, Two Heads of Bearded Men, Seated Male Nude, and Four Sketches for Christ Judging (recto); Studies for Cain Slaying Abel (verso) by Jacopo Palma the Younger, The Metropolitan Museum of Art

Figure Studies: Seated Female Holding a Book, Two Heads of Bearded Men, Seated Male Nude, and Four Sketches for Christ Judging (recto); Studies for Cain Slaying Abel (verso)

Jacopo Palma the Younger (d. 1628)

1548–1628 · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Seated Draped Male Figure (recto); Rough Studies of Putti (verso) by Giovanni Lanfranco, The Metropolitan Museum of Art

Seated Draped Male Figure (recto); Rough Studies of Putti (verso)

Giovanni Lanfranco (d. 1647)

1582–1647 · Black chalk, faint traces of white on gray-blue paper (recto); black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Studies of Two Flying Putti and of Drapery (recto); Seated Virgin and Child, and Kneeling Child (verso) by Sassoferrato (Giovanni Battista Salvi), The Metropolitan Museum of Art

Studies of Two Flying Putti and of Drapery (recto); Seated Virgin and Child, and Kneeling Child (verso)

Sassoferrato (Giovanni Battista Salvi) (d. 1685)

1609–85 · Black chalk on blue paper; squared in black chalk

Cleared · Public Domain

live
The MetSimilar
The Holy Trinity (recto); Studies of Seated Female Figures (the Virgin and another Saint?) (verso) by Luca Giordano, The Metropolitan Museum of Art

The Holy Trinity (recto); Studies of Seated Female Figures (the Virgin and another Saint?) (verso)

Luca Giordano (d. 1705)

1634–1705 · Red chalk (recto); faint red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Latona and Her Children, Apollo and Diana by William Henry Rinehart, The Metropolitan Museum of Art

Latona and Her Children, Apollo and Diana

William Henry Rinehart (d. 1874)

1870; carved 1874 · Marble

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.