A painting can be out of copyright and thephotograph of it can still be protected.

Terracotta oinochoe (jug) with a seated boy

Unrecorded maker

4th century BCE · Terracotta

Limestone head of a boy

Unrecorded maker

4th–early 3rd century BCE · Limestone

Bronze statuette of a child with a bunch of grapes

Unrecorded maker

1st–2nd century CE · Bronze

Guanyin the Bringer of Sons

Unidentified artist

late 16th century · Hanging scroll; ink, color, and gold on silk

Virgin and child

Niccolò Roccatagliata (d. 1636)

early 17th century · Bronze

The Virgin and Child Attended by Angels

Manohar (d. 1624)

ca 1600 · Brown and blue ink with gold on paper

Chinese Boy and Monkey Wrestling

Isoda Koryūsai (d. 1790)

ca. 1770–72 (Meiwa 7–An’ei 1) · Woodblock print (nishiki-e); ink and color on paper

Karako with an Oversized Sake Cup

Isoda Koryūsai (d. 1790)

ca. 1770–72 (Meiwa 7–An’ei 1) · Woodblock print; ink and color on paper

Child Carrying an Infant Netsuke

Unrecorded maker

late 18th century · Porcelain with underglaze blue and overglaze enamels (Hirado ware)

Seven Gods of Good Fortune and Chinese Children

Kano Chikanobu (d. 1728)

17th–18th century · Six-panel folding screen; ink, color, and gilt on paper; Reverse side: ink, color, and gold on paper

Seated Karako (Chinese boy) with a Child

Unrecorded maker

18th–early 19th century · Stoneware with polychrome enamels and gold over finely crackled glaze (Satsuma ware)

Terracotta statuette of a draped, seated boy, wearing a thick wreath

Unrecorded maker

late 4th–early 3rd century BCE · Terracotta Fabric: slightly coarse orange (2.5 YR 6/6) with small dark and white plus a few sparkling inlcusions, voids. Slip, paint: white slip, blue paint on rocky seat. Method of manufacture: moldmade. Back, venting: back moldmade, detailed, not vented, open underneath.