Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1010 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    1465 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 154 matching records exist across the two collections.

Results for "Seated Male Nude (recto); Seated Woman w"12 records

Institutions answered newest-first by record, interleaved

Seated male figure by Lagunillas artist(s), The Metropolitan Museum of Art

Seated male figure

Lagunillas artist(s)

200 BCE–200 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Study of a Nude Woman, Seated Looking to the Right (recto) Study of a Male Nude (verso) by Pierre-Paul Prud'hon, The Cleveland Museum of Art

Study of a Nude Woman, Seated Looking to the Right (recto) Study of a Male Nude (verso)

Pierre-Paul Prud'hon (d. 1823)

c. 1810 · Drawing, black and white chalk (both stumped)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso) by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), The Metropolitan Museum of Art

Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)

Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)

1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Seated Crowned Male Figure Holding a Book or Scroll (recto); Seated Nude Boy (verso) by Bernardino Poccetti, The Metropolitan Museum of Art

Seated Crowned Male Figure Holding a Book or Scroll (recto); Seated Nude Boy (verso)

Bernardino Poccetti (d. 1612)

1548–1612 · Charcoal on blue paper (recto); charcoal (verso)

Cleared · Public Domain

live
The MetSimilar
Recto: The Concert
Verso: Seated Male Nude by Johann Liss, The Metropolitan Museum of Art

Recto: The Concert Verso: Seated Male Nude

Johann Liss (d. 1631)

early 17th century · Black chalk on brown paperf

Cleared · Public Domain

live
The MetSimilar
Seated Nude Male Figure (recto); Seated Figure (verso) by Benedetto Luti, The Metropolitan Museum of Art

Seated Nude Male Figure (recto); Seated Figure (verso)

Benedetto Luti (d. 1724)

1666–1724 · Red chalk (recto); slight red chalk sketch of a seated figure (verso)

Cleared · Public Domain

live
The MetSimilar
Reclining Male Nude (recto); Seated Male Nude (verso) by Ubaldo Gandolfi, The Metropolitan Museum of Art

Reclining Male Nude (recto); Seated Male Nude (verso)

Ubaldo Gandolfi (d. 1781)

1728–81 · Red chalk, highlighted with white (recto); red and black chalk, highlighted with white (verso)

Cleared · Public Domain

live
The MetSimilar
Seated Female Nude (recto); Standing Male Nude (verso) by Pierre Paul Prud'hon, The Metropolitan Museum of Art

Seated Female Nude (recto); Standing Male Nude (verso)

Pierre Paul Prud'hon (d. 1823)

probably between 1810–20 · Black and white chalk, stumped, on blue paper

Cleared · Public Domain

live
The MetSimilar
Woman Talking to a Seated Male Nude by Thomas Rowlandson, The Metropolitan Museum of Art

Woman Talking to a Seated Male Nude

Thomas Rowlandson (d. 1827)

1775–1827 · Pen and brown ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Seated Male Nude (recto); Male Nude Walking (verso) by Anselm Feuerbach, The Metropolitan Museum of Art

Seated Male Nude (recto); Male Nude Walking (verso)

Anselm Feuerbach (d. 1880)

1860–69 · Black and white chalk on buff paper

Cleared · Public Domain

live
The MetSimilar
Seated Male Nude (recto); Crouching Male Nude (verso) by Paul Baudry, The Metropolitan Museum of Art

Seated Male Nude (recto); Crouching Male Nude (verso)

Paul Baudry (d. 1886)

1864–74 · Black chalk, heightened with white on gray paper (recto); black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Seated Male Nude (recto); Seated Woman with a Dark Blouse (verso) by Umberto Boccioni, The Metropolitan Museum of Art

Seated Male Nude (recto); Seated Woman with a Dark Blouse (verso)

Umberto Boccioni (d. 1916)

ca. 1908 · Graphite on paper

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.