
Back View of a Seated Nude Youth Facing Left
Annibale Carracci (d. 1609)
1560–1609 · Red chalk, with traces of highlights in white chalk (?)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
967 ms. The Metropolitan Museum of Art, Collection API (Open Access)
282 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,741 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Back View of a Seated Nude Youth Facing Left
Annibale Carracci (d. 1609)
1560–1609 · Red chalk, with traces of highlights in white chalk (?)
Cleared · Public Domain
live
Seated Nude Young Man in Nearly Frontal View
Guercino (Giovanni Francesco Barbieri) (d. 1666)
ca. 1618 · Modified black chalk (dipped in a gum solution), traces of white gouache highlights, on light brown paper
Cleared · Public Domain
live
Back View of a Seated Male Nude
Andrea Sacchi (d. 1661)
1599–1661 · Red chalk on pale brown paper
Cleared · Public Domain
live
Seated Female Nude (recto); Standing Male Nude (verso)
Pierre Paul Prud'hon (d. 1823)
probably between 1810–20 · Black and white chalk, stumped, on blue paper
Cleared · Public Domain
live
Standing Nude Woman, Back View
Wilhelm Lehmbruck (d. 1919)
1911 · Graphite on paper
Cleared · Public Domain
live
Seated Nude, Back-View
Henri Gaudier-Brzeska (d. 1915)
ca. 1913 · Charcoal on paper
Cleared · Public Domain
live
Seated Woman, Back View
Egon Schiele (d. 1918)
1917 · Watercolor, gouache, and graphite on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated Female Nude
Pablo Picasso (d. 1973)
Winter 1908 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated Nude, viewed from the back
Henri Matisse (d. 1954)
1913 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated Nude
Pierre Bonnard (d. 1947)
1919 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reclining Nude, Back View
Robin Christian Andersen (d. 1969)
ca. 1920 · Graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reclining Nude, Back View
Aristide Maillol (d. 1944)
before 1922 · Graphite on laid paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.