
Male Nude Torso with Raised Arms
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
ca. 1522–24 · Red chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
632 ms. The Metropolitan Museum of Art, Collection API (Open Access)
297 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,684 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Male Nude Torso with Raised Arms
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
ca. 1522–24 · Red chalk
Cleared · Public Domain
live
Nude Man with Raised Arms (recto) Seated Man (verso)
Egon Schiele (d. 1918)
1911 · Drawing, graphite
Cleared · CC0
live
Three Studies of Seated Nude Male with Raised Arm, Seen from Below
Anonymous, Italian, Bolognese, 17th century (d. 1700)
17th century · Red chalk, on light brown paper; partly reworked with red crayon
Cleared · Public Domain
live
Seated Female Nude (recto); Standing Male Nude (verso)
Pierre Paul Prud'hon (d. 1823)
probably between 1810–20 · Black and white chalk, stumped, on blue paper
Cleared · Public Domain
live
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
Egon Schiele (d. 1918)
1914 · Watercolor, gouache, and graphite on paper
Cleared · Public Domain
liveSeated Nude with Raised Arms
Amedeo Modigliani (d. 1920)
ca. 1916 · Graphite on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Standing Male Nude Artists' Study with Arms Raised]
Oscar Gustav Rejlander (d. 1875)
ca. 1857, printed 1987 · Gelatin silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated Nude with Arms on Head
Henri Matisse (d. 1954)
1904; this cast, 1996 · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated Nude with Arms Crossed
Henri Matisse (d. 1954)
1914–15 · Monotype
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated Figure With Arms Raised
e. e. cummings (d. 1962)
ca. 1920 · Pen and black ink over graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated Woman With Arms Raised
Gaston Lachaise (d. 1935)
1924 · Gray crayon on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude II: with raised arms
Jean Charlot (d. 1979)
1927 · Woodcut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.