
Terracotta fragment of a neck-amphora (jar)
Unrecorded maker
third quarter of the 6th century BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
462 ms. The Metropolitan Museum of Art, Collection API (Open Access)
343 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,171 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta fragment of a neck-amphora (jar)
Unrecorded maker
third quarter of the 6th century BCE · Terracotta
Cleared · Public Domain
live
Terracotta fragment of an amphora (jar)
Unrecorded maker
540–530 BCE · Terracotta
Cleared · Public Domain
live
Terracotta statuette of a mime with a shield
Unrecorded maker
2nd–1st century BCE · Terracotta
Cleared · Public Domain
live
Seated Faun
Andrea Briosco, called Riccio (d. 1532)
ca. 1540–50 · Bronze
Cleared · Public Domain
live
Bearded Old Man Seated with Left Arm Extented
Bernardino Campi (d. 1591)
1522–91 · Black chalk, highlighted with white, on blue-gray paper; squared in black chalk
Cleared · Public Domain
live
Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso)
Guercino (Giovanni Francesco Barbieri) (d. 1666)
1621 · Red chalk on blue paper
Cleared · Public Domain
live
"An Old Man and His Young Wife Before Religious Arbitrators," Folio from a Gulistan of Sa'di
Daulat (d. 1660)
1610–15 · Opaque watercolors and gold on paper
Cleared · Public Domain
live
Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso)
Francesco Furini (d. 1646)
17th century · Red chalk, highlighted with white chalk
Cleared · Public Domain
live
Seated Voltaire
Jean Antoine Houdon (d. 1828)
1778 · Plaster, tinted to imitate terracotta
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Barn Floor
Currier & Ives (d. 1907)
1868 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maure man with his wife and mother before a tea set
Unrecorded maker
first half of the 20th century · Film, emulsion
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maure man with his wife and mother before a tea set
Unrecorded maker
1975 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.