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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    462 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    343 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,171 matching records exist across the two collections.

Results for "Seated Old Man with Right Arm Upraised ("12 records

Institutions answered newest-first by record, interleaved

Terracotta fragment of a neck-amphora (jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a neck-amphora (jar)

Unrecorded maker

third quarter of the 6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of an amphora (jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of an amphora (jar)

Unrecorded maker

540–530 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta statuette of a mime with a shield by an unrecorded maker, The Metropolitan Museum of Art

Terracotta statuette of a mime with a shield

Unrecorded maker

2nd–1st century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Seated Faun by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Seated Faun

Andrea Briosco, called Riccio (d. 1532)

ca. 1540–50 · Bronze

Cleared · Public Domain

live
The MetSimilar
Bearded  Old Man Seated with Left Arm Extented by Bernardino Campi, The Metropolitan Museum of Art

Bearded Old Man Seated with Left Arm Extented

Bernardino Campi (d. 1591)

1522–91 · Black chalk, highlighted with white, on blue-gray paper; squared in black chalk

Cleared · Public Domain

live
The MetSimilar
Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso) by Guercino (Giovanni Francesco Barbieri), The Metropolitan Museum of Art

Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso)

Guercino (Giovanni Francesco Barbieri) (d. 1666)

1621 · Red chalk on blue paper

Cleared · Public Domain

live
The MetSimilar
"An Old Man and His Young Wife Before Religious Arbitrators," Folio from a Gulistan of Sa'di by Daulat, The Metropolitan Museum of Art

"An Old Man and His Young Wife Before Religious Arbitrators," Folio from a Gulistan of Sa'di

Daulat (d. 1660)

1610–15 · Opaque watercolors and gold on paper

Cleared · Public Domain

live
The MetSimilar
Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso) by Francesco Furini, The Metropolitan Museum of Art

Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso)

Francesco Furini (d. 1646)

17th century · Red chalk, highlighted with white chalk

Cleared · Public Domain

live
The MetSimilar
Seated Voltaire by Jean Antoine Houdon, The Metropolitan Museum of Art

Seated Voltaire

Jean Antoine Houdon (d. 1828)

1778 · Plaster, tinted to imitate terracotta

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Old Barn Floor

Currier & Ives (d. 1907)

1868 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maure man with his wife and mother before a tea set

Unrecorded maker

first half of the 20th century · Film, emulsion

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maure man with his wife and mother before a tea set

Unrecorded maker

1975 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.