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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    742 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    498 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 26,948 matching records exist across the two collections.

Results for "Seated figure of Amun"10 records

Institutions answered newest-first by record, interleaved

Statuette of Amun by an unrecorded maker, The Metropolitan Museum of Art

Statuette of Amun

Unrecorded maker

ca. 1080–721 BCE · Cupreous alloy, precious metals

Cleared · Public Domain

live
The MetSimilar
Statuette of Amun by an unrecorded maker, The Metropolitan Museum of Art

Statuette of Amun

Unrecorded maker

ca. 945–721 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Seated figure of Amun by an unrecorded maker, The Metropolitan Museum of Art

Seated figure of Amun

Unrecorded maker

ca. 945–525 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Terracotta seated figure by an unrecorded maker, The Metropolitan Museum of Art

Terracotta seated figure

Unrecorded maker

ca. 6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Seated Harpokrates with the crown of Amun, named as "Harpokrates-the-great, the eldest, the first of Amun" by an unrecorded maker, The Metropolitan Museum of Art

Seated Harpokrates with the crown of Amun, named as "Harpokrates-the-great, the eldest, the first of Amun"

Unrecorded maker

664–30 BCE · Cupreous metal, precious metal inlay

Cleared · Public Domain

live
The MetSimilar
Head possibly from a figure of Amun-Min by an unrecorded maker, The Metropolitan Museum of Art

Head possibly from a figure of Amun-Min

Unrecorded maker

664–525 BCE or later · Steatite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scarab with Blessing Related to Amun (Amun-Re)

Unrecorded maker

ca. 1080–664 BCE · Faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scarab Inscribed with a Blessing Related to Amun (Amun-Re)

Unrecorded maker

ca. 1080–664 BCE · Steatite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seated Figure

Unrecorded maker

late 19th–early 20th century · Wood, shell, paint and resin

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seated Figure

Unrecorded maker

19th–20th century · Wood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.