Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    390 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    501 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 360 matching records exist across the two collections.

Results for "Seated goat"12 records

Institutions answered newest-first by record, interleaved

Cylinder seal and modern impression: man, goat, griffin, nude figure, and "impaled triangle" by an unrecorded maker, The Metropolitan Museum of Art

Cylinder seal and modern impression: man, goat, griffin, nude figure, and "impaled triangle"

Unrecorded maker

ca. 14th–13th century BCE · Carnelian

Cleared · Public Domain

live
The MetSimilar
Lormes: Goat-Girl Sitting Beside a Stream in a Forest by Jean Baptiste Camille Corot, The Cleveland Museum of Art

Lormes: Goat-Girl Sitting Beside a Stream in a Forest

Jean Baptiste Camille Corot (d. 1875)

1842 · Painting, oil on fabric

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Terracotta fragment of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a kylix (drinking cup)

Unrecorded maker

500–480 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto)

Unrecorded maker

c. 1524 · Manuscript, ink, tempera and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Terracotta fragment of a skyphos (deep drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a skyphos (deep drinking cup)

Unrecorded maker

late 6th/early 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Seated Boy Clothed with Goat Skins Holding an Open Barrel by an unrecorded maker, The Cleveland Museum of Art

Seated Boy Clothed with Goat Skins Holding an Open Barrel

Unrecorded maker

c. 1525 · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bronze relief of a veiled woman riding a sea-goat by an unrecorded maker, The Metropolitan Museum of Art

Bronze relief of a veiled woman riding a sea-goat

Unrecorded maker

4th century BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
In the Forest by Célestin François Nanteuil, The Cleveland Museum of Art

In the Forest

Célestin François Nanteuil (d. 1873)

1841 · Painting, oil on fabric

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Convivio delle Belle Donne, page 11 (verso) by Nicolò Zoppino, The Metropolitan Museum of Art

Convivio delle Belle Donne, page 11 (verso)

Nicolò Zoppino (d. 1544)

August 1532 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Square Shawl by an unrecorded maker, The Cleveland Museum of Art

Square Shawl

Unrecorded maker

c. 1850–70 · Embroidery, Silk and silver filé, wool: chain stitch embroidery

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Seated satyr with silvered eyes by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Seated satyr with silvered eyes

Andrea Briosco, called Riccio (d. 1532)

second quarter of the 16th century · Bronze, silver inlay (eyes)

Cleared · Public Domain

live
The MetSimilar
Seated Faun by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Seated Faun

Andrea Briosco, called Riccio (d. 1532)

ca. 1540–50 · Bronze

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.