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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    442 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    285 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 191 matching records exist across the two collections.

Results for "Seated tumba (memorial figure)"12 records

Institutions answered newest-first by record, interleaved

Seated hollow figure with helmet by Las Bocas artist(s), The Metropolitan Museum of Art

Seated hollow figure with helmet

Las Bocas artist(s)

1200–800 BCE · Ceramic, cinnabar, red ochre

Cleared · Public Domain

live
The MetSimilar
Seated Figure by an unrecorded maker, The Metropolitan Museum of Art

Seated Figure

Unrecorded maker

2nd century BCE–3rd century CE · Serpentine (?) (marialite-diopside rock)

Cleared · Public Domain

live
The MetSimilar
Seated Figure with Vessel by Colima artist(s), The Metropolitan Museum of Art

Seated Figure with Vessel

Colima artist(s)

200 BCE–300 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Seated figure by an unrecorded maker, The Metropolitan Museum of Art

Seated figure

Unrecorded maker

3rd century BCE–4th century CE · Ceramic, pigment

Cleared · Public Domain

live
The MetSimilar
Seated Figure by an unrecorded maker, The Metropolitan Museum of Art

Seated Figure

Unrecorded maker

3rd century BCE–4th century CE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Seated Figure by an unrecorded maker, The Metropolitan Museum of Art

Seated Figure

Unrecorded maker

3rd century BCE–4th century CE · Ceramic, pigment

Cleared · Public Domain

live
The MetSimilar
Seated Figure by an unrecorded maker, The Metropolitan Museum of Art

Seated Figure

Unrecorded maker

3rd–8th century · Stone

Cleared · Public Domain

live
The MetSimilar
Seated Figure by an unrecorded maker, The Metropolitan Museum of Art

Seated Figure

Unrecorded maker

1st–8th century · Greenstone

Cleared · Public Domain

live
The MetSimilar
Seated Figure by Temne or Bullom artist(s), The Metropolitan Museum of Art

Seated Figure

Temne or Bullom artist(s)

12th–16th century · Soapstone, steatite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seated figure

Temne or Bullom artist(s)

12th–16th century · Stone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seated tumba (memorial figure)

Kongo artist

Late 18th–early 19th century · Steatite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seated ancestor figure

Bembe-Kongo artist

19th–first half of 20th century · Wood, ivory

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.