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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    343 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Second Arabesque"8 records

Institutions answered newest-first by record, interleaved

The marriage of ‘Ubaid, son of a merchant of Tirmiz, from a Tuti-nama (Tales of a Parrot): Forty-second Night by an unrecorded maker, The Cleveland Museum of Art

The marriage of ‘Ubaid, son of a merchant of Tirmiz, from a Tuti-nama (Tales of a Parrot): Forty-second Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Adoration of the Shepherds, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier by an unrecorded maker, The Cleveland Museum of Art

The Adoration of the Shepherds, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Unrecorded maker

1602–4 · Manuscript, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Persian calligraphy framed by an ornamental border of flowers, birds, and deer, from the Late Shah Jahan Album by Mir 'Ali Haravi, The Cleveland Museum of Art

Persian calligraphy framed by an ornamental border of flowers, birds, and deer, from the Late Shah Jahan Album

Mir 'Ali Haravi (d. 1550)

calligraphy: c. 1500–1540; border: c. 1630–40 · Painting, Gum tempera, gold, and ink on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Columbine and Harlequin by Jean Moyreau, The Cleveland Museum of Art

Columbine and Harlequin

Jean Moyreau (d. 1762)

c. 1729 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bowl by an unrecorded maker, The Cleveland Museum of Art

Bowl

Unrecorded maker

early 1600s · Ceramic, Fritware with underglaze design in colored slips, Kubachi ware

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Silk curtain from the Alhambra palace by an unrecorded maker, The Cleveland Museum of Art

Silk curtain from the Alhambra palace

Unrecorded maker

1300s · Textile, lampas and taqueté: silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Alhambra Palace Silk Curtain by an unrecorded maker, The Cleveland Museum of Art

Alhambra Palace Silk Curtain

Unrecorded maker

mid-1300s · Textile, silk; lampas weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Alhambra Palace Silk Curtain by an unrecorded maker, The Cleveland Museum of Art

Alhambra Palace Silk Curtain

Unrecorded maker

mid-1300s · Textile, silk; lampas weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.