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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    297 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    721 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 165 matching records exist across the two collections.

Results for "Second Design Concept After Visiting Sit"11 records

Institutions answered newest-first by record, interleaved

Cleopatra by Jan Muller, The Metropolitan Museum of Art

Cleopatra

Jan Muller (d. 1628)

ca. 1598 · Engraving; New Holl.'s second state of four

Cleared · Public Domain

live
The MetSimilar
Défaite de la Cavalerie Turque (Defeat of the Turkish Cavalry), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles) by Jacques Callot, The Metropolitan Museum of Art

Défaite de la Cavalerie Turque (Defeat of the Turkish Cavalry), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)

Jacques Callot (d. 1635)

1614–20 · Engraving; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Défaite de la Cavalerie Turque (Defeat of the Turkish Cavalry), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles) by Jacques Callot, The Metropolitan Museum of Art

Défaite de la Cavalerie Turque (Defeat of the Turkish Cavalry), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)

Jacques Callot (d. 1635)

1614–20 · Engraving; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
L'Enrolement des Troupes (The Enlistment of Troops), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles) by Jacques Callot, The Metropolitan Museum of Art

L'Enrolement des Troupes (The Enlistment of Troops), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)

Jacques Callot (d. 1635)

1614–20 · Engraving; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
L'Enrolement des Troupes (The Enlistment of Troops), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles) by Jacques Callot, The Metropolitan Museum of Art

L'Enrolement des Troupes (The Enlistment of Troops), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)

Jacques Callot (d. 1635)

1614–20 · Engraving; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Les Troupes Forcent la Porte d'une Ville (The Troops Force Their Way Through the Gate of a City), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles) by Jacques Callot, The Metropolitan Museum of Art

Les Troupes Forcent la Porte d'une Ville (The Troops Force Their Way Through the Gate of a City), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)

Jacques Callot (d. 1635)

1614–20 · Engraving; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Doctor Syntax Disputing his Bill With the Landlady

Thomas Rowlandson (d. 1827)

1819 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Doctor Syntax Losing His Way

Thomas Rowlandson (d. 1827)

1819 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Reverend Doctor Syntax

Thomas Rowlandson (d. 1827)

1819 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Second Design Concept After Visiting Site, September, 1986: Perspective, Daniel Wolf Residence, Ridgway, Colorado

Ettore Sottsass (d. 2007)

1986 · Graphite, colored pencil, and wax crayon on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Second Design Concept After Visiting Site, September, 1986: Perspective, Daniel Wolf Residence, Ridgway, Colorado

Ettore Sottsass (d. 2007)

1986 · Wax crayon, colored pencil, and graphite on paper

In copyright

live
The MetSimilar

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