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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    560 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    520 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 7,334 matching records exist across the two collections.

Results for "Second Plate at Top Center, from an etch"12 records

Institutions answered newest-first by record, interleaved

Blackwork Print with Foliate Scrolls in an Oval at Center, from a Series of Blackwork Prints for Goldsmiths' Work by Etienne Carteron, The Metropolitan Museum of Art

Blackwork Print with Foliate Scrolls in an Oval at Center, from a Series of Blackwork Prints for Goldsmiths' Work

Etienne Carteron (d. 1680)

1615 · Blackwork engraving

Cleared · Public Domain

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The MetSimilar
Pendant Design with a Couple at Center by Jan Collaert I, The Metropolitan Museum of Art

Pendant Design with a Couple at Center

Jan Collaert I (d. 1581)

after 1581 · Engraving; second state of two (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches) by François Collignon, The Metropolitan Museum of Art

Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches)

François Collignon (d. 1687)

ca. 1640–45 · Etching; second state of four

Cleared · Public Domain

live
The MetSimilar
Plate 8: a cartouche with the head of an old man at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches) by François Collignon, The Metropolitan Museum of Art

Plate 8: a cartouche with the head of an old man at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches)

François Collignon (d. 1687)

ca. 1640–45 · Etching; second state of four

Cleared · Public Domain

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The MetSimilar
Plate 9: a cartouche with the head of a ram at top center, flowers at top left and right, from "Twelve cartouches" (Recueil de douze cartouches) by François Collignon, The Metropolitan Museum of Art

Plate 9: a cartouche with the head of a ram at top center, flowers at top left and right, from "Twelve cartouches" (Recueil de douze cartouches)

François Collignon (d. 1687)

ca. 1640–45 · Etching; second state of four

Cleared · Public Domain

live
The MetSimilar
Second Palace at Mitla, Mexico. by Désiré Charnay, The Metropolitan Museum of Art

Second Palace at Mitla, Mexico.

Désiré Charnay (d. 1915)

February 1860 · Albumen silver print from glass negative

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four chairs with two stools at center

Crispijn de Passe the Younger (d. 1670)

1658 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Assembly of the Gods at Olympus; Jupiter at center with Venus to his left, introducing Aeneas at far left, plate 9 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome

Carlo Cesi (d. 1682)

ca. 1661 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trophy of arms with the bust of an imperator at center and an eagle at top, from Trophées d'armes à l'Italienne, plate 5

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trophy of arms with the bust of an imperator at center and an eagle at top, from Trophées d'armes à l'Italienne, plate 5, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate from "Nouveaux dessins d'arquebuseries..."

De Lacollombe (d. 1736)

1705–36 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate from Nouveaux dessins d'arquebuseries...

De Lacollombe (d. 1736)

1705–36 · Etching

In copyright

live
The MetSimilar

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