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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    313 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    335 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,343 matching records exist across the two collections.

Results for "Second part of The Story of the Lute"12 records

Institutions answered newest-first by record, interleaved

Lute by an unrecorded maker, The Metropolitan Museum of Art

Lute

Unrecorded maker

mid-16th century · Maple, spruce, ebony

Cleared · Public Domain

live
The MetSimilar
Young Woman with a Lute by Johannes Vermeer, The Metropolitan Museum of Art

Young Woman with a Lute

Johannes Vermeer (d. 1675)

ca. 1662–63 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Second part of The Story of the Lute by an unrecorded maker, The Metropolitan Museum of Art

Second part of The Story of the Lute

Unrecorded maker

1795 · Hanging scroll; woodblock print; two shades of ink on paper with additional hand coloring

Cleared · Public Domain

live
The MetSimilar
Sports of a Country Fair, Part the Second by Thomas Rowlandson, The Metropolitan Museum of Art

Sports of a Country Fair, Part the Second

Thomas Rowlandson (d. 1827)

October 5, 1810 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Story of the Queen of Sheba

Unrecorded maker

20th century · Tempera on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Second Vision: Edras Finding Comfort with the Angel, from "The Story of Esdras"

Maerten de Vos (d. 1603)

ca. 1582–85 · Etching; first state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Picturesque Beauties of Boswell, Part the first and Part the second

Thomas Rowlandson (d. 1827)

1786 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Revising For the Second Edition (Picturesque Beauties of Boswell, Part the Second)

Thomas Rowlandson (d. 1827)

1786 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Procession (Picturesque Beauties of Boswell, Part the Second)

Thomas Rowlandson (d. 1827)

1786 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Reconciliation (Picturesque Beauties of Boswell, Part the Second)

Thomas Rowlandson (d. 1827)

1786 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Vision (Picturesque Beauties of Boswell, Part the Second)

Thomas Rowlandson (d. 1827)

1786 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hasapi (lute)

Toba Batak artist

late 19th–early 20th century · Wood, buffalo horn, silver, brass, iron, gold

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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