Section from a Qur'an Manuscript
Unrecorded maker
ca. 1320 · Main support: Ink, opaque watercolor, and gold on paper Binding: Leather; tooled
Cleared · Public Domain
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A painting can be out of copyright and thephotograph of it can still be protected.
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Where this page got its records
- The Metlive
267 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
367 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 164 matching records exist across the two collections.
Results for "Section 4 of the Cavalcade for the Depar"12 records
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Section 1 of the Cavalcade for the Departure of a Sultan
Antonio Tempesta (d. 1630)
1590–1630 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Section 2 of the Cavalcade for the Departure of a Sultan
Antonio Tempesta (d. 1630)
1590–1630 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Section 3 of the Cavalcade for the Departure of a Sultan
Antonio Tempesta (d. 1630)
1590–1630 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Section 4 of the Cavalcade for the Departure of a Sultan
Antonio Tempesta (d. 1630)
1590–1630 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Section 5 of the Cavalcade for the Departure of a Sultan
Antonio Tempesta (d. 1630)
1590–1630 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plan of the animal cages built by Domitian for the Amphitheater... [with elevation and section of the buried portion; the so-called Curia Hostilia was actually the substructure of the Temple of Claudius, near SS. Giovanni e Paolo], tome 4, tavola 53 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Clarinet
Unrecorded maker
late 19th century · Wood, brass
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Baluster from the Carson, Pirie, Scott Company, Chicago
Louis Henry Sullivan (d. 1924)
1899–1904 · Cast iron
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Die for lower section of Hudson-Fulton Celebration Souvenir Spoon
Tiffany & Co. (d. 9999)
ca. 1909 · Steel
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Die for upper section of Hudson-Fulton Celebration Souvenir Spoon
Tiffany & Co. (d. 9999)
ca. 1909 · Steel
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Vrai et le Faux Chic, Musée des Erreurs, Page 4
Georges Goursat [Sem] (d. 1934)
1914 · Color lithograph
In copyright
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