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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    316 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    427 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,639 matching records exist across the two collections.

Results for "Section of a Boulder"12 records

Institutions answered newest-first by record, interleaved

Lower Section of a Box by an unrecorded maker, The Metropolitan Museum of Art

Lower Section of a Box

Unrecorded maker

ca. 5th century · Stone

Cleared · Public Domain

live
The MetSimilar
Boulder figure by Recuay artist(s), The Metropolitan Museum of Art

Boulder figure

Recuay artist(s)

200–700 CE · Stone

Cleared · Public Domain

live
The MetSimilar
Section of a Qur'an by an unrecorded maker, The Metropolitan Museum of Art

Section of a Qur'an

Unrecorded maker

13th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Section of a grill by an unrecorded maker, The Metropolitan Museum of Art

Section of a grill

Unrecorded maker

mid-18th century · Iron

Cleared · Public Domain

live
The MetSimilar
Longitudinal Section of a Theatre by Nicolas Marie Potain, The Metropolitan Museum of Art

Longitudinal Section of a Theatre

Nicolas Marie Potain (d. 1796)

18th century · Pen and black and gray ink, brush and gray, black, rose, and yellow wash

Cleared · Public Domain

live
The MetSimilar
Boulder with Daoist paradise by an unrecorded maker, The Metropolitan Museum of Art

Boulder with Daoist paradise

Unrecorded maker

18th century · Jade (nephrite)

Cleared · Public Domain

live
The MetSimilar
The Boulder and the Flume by Ralph Albert Blakelock, The Metropolitan Museum of Art

The Boulder and the Flume

Ralph Albert Blakelock (d. 1919)

1878 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Fragment of a Boulder by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Boulder

Unrecorded maker

1902 · Nephrite

Cleared · Public Domain

live
The MetSimilar
Section of a Boulder by an unrecorded maker, The Metropolitan Museum of Art

Section of a Boulder

Unrecorded maker

1902 · Jadeite

Cleared · Public Domain

live
The MetSimilar
Section of a Pebble by an unrecorded maker, The Metropolitan Museum of Art

Section of a Pebble

Unrecorded maker

1902 · Jadeite

Cleared · Public Domain

live
The MetSimilar
Section of Boulder by an unrecorded maker, The Metropolitan Museum of Art

Section of Boulder

Unrecorded maker

1902 · Jadeite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Section of a spoon handle

Unrecorded maker

1775–89 · Silver

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.