6 kiln supports for faience production
Unrecorded maker
1st century BCE · Pottery, faience
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
337 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
447 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,303 matching records exist across the two collections.
Results for "Section of a Kiln for the Production of"12 records
Institutions answered newest-first by record, interleaved
Storage Jar
Unrecorded maker
1400s · Ceramic, Stoneware with natural ash glaze (Tamba ware)
Cleared · CC0
liveCleveland Museum of ArtSimilar
3 kiln supports for faience production
Unrecorded maker
30 BCE–364 CE · Pottery, faience
Cleared · Public Domain
liveThe MetSimilar
Upper Section of an Arch
Unrecorded maker
late 17th century · Wood
Cleared · Public Domain
liveThe MetSimilar
Design for the Ornamentation of a Section of a Ceiling
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush with brown and gray wash, over leadpoint or graphite, with ruled and compass construction; measuring scale, at bottom of design, in pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
Section of a Kiln for the Production of Majolika
Pietro Bandiera (d. 1796)
ca. 1796 · Pen and brown ink with colored washes, over traces of leadpoint
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Section 1 of the Cavalcade for the Departure of a Sultan
Antonio Tempesta (d. 1630)
1590–1630 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Section 2 of the Cavalcade for the Departure of a Sultan
Antonio Tempesta (d. 1630)
1590–1630 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Section 3 of the Cavalcade for the Departure of a Sultan
Antonio Tempesta (d. 1630)
1590–1630 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Section 4 of the Cavalcade for the Departure of a Sultan
Antonio Tempesta (d. 1630)
1590–1630 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Section 5 of the Cavalcade for the Departure of a Sultan
Antonio Tempesta (d. 1630)
1590–1630 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the End Wall Section of a Salon
Anonymous, French, 18th century (d. 1800)
late 18th century · Pen and gray ink, brush and gray and brown wash
In copyright
liveThe MetSimilar
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