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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    350 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    327 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Secundra Near Agra. The Mausoleum of the"11 records

Institutions answered newest-first by record, interleaved

Funerary relief by an unrecorded maker, The Metropolitan Museum of Art

Funerary relief

Unrecorded maker

ca. 2nd–3rd century CE · Limestone

Cleared · Public Domain

live
The MetSimilar
Secundra Near Agra. The Mausoleum of the Emperor Akbar by Samuel Bourne, The Cleveland Museum of Art

Secundra Near Agra. The Mausoleum of the Emperor Akbar

Samuel Bourne (d. 1912)

1863–70 · Photograph, albumen print

Cleared · CC0

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Cleveland Museum of ArtSimilar
Interior of the Taj Mahal Mausoleum by an unrecorded maker, The Metropolitan Museum of Art

Interior of the Taj Mahal Mausoleum

Unrecorded maker

early 19th century · Ink, tinted wash, and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
An Elevation of the North Side of the Marble Screen Surrounding the Cenotaphs in the Taj Mahal by an unrecorded maker, The Metropolitan Museum of Art

An Elevation of the North Side of the Marble Screen Surrounding the Cenotaphs in the Taj Mahal

Unrecorded maker

ca. 1810–1820 · Watercolor and body color on paper

Cleared · Public Domain

live
The MetSimilar
[The Taj Mahal from the Banks of the Yamuna River] by John Murray, The Metropolitan Museum of Art

[The Taj Mahal from the Banks of the Yamuna River]

John Murray (d. 1898)

1858–62 · Albumen silver print from paper negative

Cleared · Public Domain

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The MetSimilar
A View of the Taj Mahal, Signed by Koodrutoollah by Koodrutoollah, The Metropolitan Museum of Art

A View of the Taj Mahal, Signed by Koodrutoollah

Koodrutoollah

dated 1880 · Pen and ink, watercolor on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vue des restes de chambres Sepulchrales sur l'ancienne voie Appia hors de Porte St. Sebastien, plate 24 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Jean Barbault (d. 1762)

1770 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Selected Views in India, Drawn on the Spot, in the Years 1780, 1781, 1782 and 1783, and Executed in Aquatinta

William Hodges (d. 1797)

1786–88 · Illustrations: etching, aquatint and engraving, printed in brown ink

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mausoleum of San Vito near Pozzuoli

Johan Christian Dahl (d. 1857)

1820 · Oil on paper, laid down on cardboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a niche with urn

Louis C. Tiffany (d. 1933)

late 19th–early 20th century · Graphite, gouache, watercolor, and black pen on splatter painted buff paper

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.