
The Abbatial House, Abbey of St. Ouen, Rouen
John Sell Cotman (d. 1842)
1824–31 · Graphite and watercolor, heightened with gouache (bodycolor) and with scratching out
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
305 ms. The Metropolitan Museum of Art, Collection API (Open Access)
331 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 184 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Abbatial House, Abbey of St. Ouen, Rouen
John Sell Cotman (d. 1842)
1824–31 · Graphite and watercolor, heightened with gouache (bodycolor) and with scratching out
Cleared · Public Domain
live
Station Forty-Eight: Seki, Early Departure from the Headquarters Inn, from the Fifty-Three Stations of the Tokaido
Utagawa Hiroshige (d. 1858)
ca. 1833–34 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Sudden Shower at Shōno, from the series Fifty-three Stations of the Tōkaidō
Utagawa Hiroshige (d. 1858)
1834–35 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu)
Unrecorded maker
1847–52 · Woodblock print (nishiki-e); ink and color on paper
Cleared · Public Domain
live
Fukuroi, from the series The Fifty-three Stations of the Tōkaidō Road
Utagawa Hiroshige (d. 1858)
early 20th century · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Futakawa, from the series The Fifty-three Stations of the Tōkaidō Road
Utagawa Hiroshige (d. 1858)
early 20th century · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Goyu, from the series The Fifty-three Stations of the Tōkaidō Road
Utagawa Hiroshige (d. 1858)
early 20th century · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Miya, from the series The Fifty-three Stations of the Tōkaidō Road
Utagawa Hiroshige (d. 1858)
early 20th century · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Seki, from the series The Fifty-three Stations of the Tōkaidō Road
Utagawa Hiroshige (d. 1858)
early 20th century · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Yoshida, from the series The Fifty-three Stations of the Tōkaidō Road
Utagawa Hiroshige (d. 1858)
early 20th century · Woodblock print; ink and color on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Heine Manush, St. Louis A.L. from the Baseball trade card series (W517)
Unrecorded maker
1931 · Commercial photolithograph tinted green
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lu Blue, St. Louis A.L. from the Baseball trade card series (W517)
Unrecorded maker
1931 · Commercial photolithograph tinted sepia
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.