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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    220 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    346 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,937 matching records exist across the two collections.

Results for "Selection of Twenty of the Most Pictures"11 records

Institutions answered newest-first by record, interleaved

The Gallery of Illustrious Americans, Containing the Portraits and Biographical Sketches of Twenty-four of the Most Eminent Citizens of the American Republic Since the Death of Washington by Brady, D'Avignon and Company, The Metropolitan Museum of Art

The Gallery of Illustrious Americans, Containing the Portraits and Biographical Sketches of Twenty-four of the Most Eminent Citizens of the American Republic Since the Death of Washington

Brady, D'Avignon and Company (d. 1900)

1850 · Illustrations: lithographs after daguerrotypes

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Selection of Twenty of the Most Picturesque Views in Paris and its Environs

Thomas Girtin (d. 1802)

1802 · Soft-ground etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Selection of Twenty of the Most Picturesque Views in Paris and its Environs

Thomas Girtin (d. 1802)

1803 · Etching, engraving, soft-ground etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Page: A Selection of Twenty of the Most Picturesque Views in Paris and its Environs

Thomas Girtin (d. 1802)

1803 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

M'Carty's American Primer: Being a Selection of Words of the Most Easy of Pronounciation. Intended to faciliate the Improvement of Children in Spelling

M'Carty & Davis (d. 1900)

1828 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Incidents in American History: Being a Selection of the Most Important and Interesting Events whch have transpired since the Discovery of America, to the Present Time. Third Edition.

John Warner Barber (d. 1885)

1847 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Yosemite Book; A Description of the Yosemite Valley and the Adjacent Region of the Sierra Nevada, and of The Big Trees of California

Carleton E. Watkins (d. 1916)

1860s · Albumen silver prints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rouen Cathedral: The Portal (Sunlight)

Claude Monet (d. 1926)

1894 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Everett Millais: India Proofs of his Twenty Pictures from The Parables of our Lord, and Twenty Autograph Letters from him to the Brothers Dalziel

Sir John Everett Millais (d. 1896)

1864–1902 · Illustrations: printed facimilies of letters (wood engravings removed)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Beginning of the World: Twenty Five Pictures by Edward Burne-Jones

Georgiana Burne-Jones (d. 1920)

1902 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Laughing Boys in Living Room]

Larry Clark (d. 9999)

1963, printed 1980 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.