
Design for a Wall Monument
Francesco di Giorgio Martini (d. 1501)
ca. 1490 · Pen and brown ink, brush and brown wash, blue gouache, on vellum
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
270 ms. The Metropolitan Museum of Art, Collection API (Open Access)
331 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 283 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Wall Monument
Francesco di Giorgio Martini (d. 1501)
ca. 1490 · Pen and brown ink, brush and brown wash, blue gouache, on vellum
Cleared · Public Domain
live
Self-Portrait Leaning on a Stone Sill
Rembrandt (Rembrandt van Rijn) (d. 1669)
1639 · Etching, drypoint and burin; second state of two
Cleared · Public Domain
live
Self-Portrait, Leaning on a Stone Wall
Rembrandt (Rembrandt van Rijn) (d. 1669)
1639 · Etching
Cleared · Public Domain
live
Self-Portrait
Gerrit Dou (d. 1675)
ca. 1665 · Oil on wood
Cleared · Public Domain
live
Self-Portrait in Saint-Lazare Prison
Hubert Robert (d. 1808)
1794 · Pen and black ink, brush and gray wash, and watercolor
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of a man leaning on a stone sill
William James Linton (d. 1897)
1850–95 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Self-Portrait in Studio]
Constantin Brancusi (d. 1957)
1923 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Self-Portrait
Stanley Arthur Charles Anderson (d. 1966)
1933 · Engraving; proof of fourth state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Self-Portrait, Plaza Hotel, NYC
Graham Nash (d. 9999)
1974, printed 1990 · Inkjet print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Francesca Woodman (d. 1981)
ca. 1980 · Diazotype
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Self-Portrait Looking at The Last Supper
Marisol (d. 2016)
1982–84 · Wood, plywood, stone, plaster, aluminum, dye, charcoal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Self-Portrait after Museum Guard Photograph)
Darrel Ellis (d. 1992)
ca. 1990 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.