
Four-Cornered Hat
Unrecorded maker
500–900 CE · Camelid fiber
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
331 ms. The Metropolitan Museum of Art, Collection API (Open Access)
471 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7,613 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Four-Cornered Hat
Unrecorded maker
500–900 CE · Camelid fiber
Cleared · Public Domain
live
Peter Paul Rubens (Petrus Paulus Rubenius)
Wenceslaus Hollar (d. 1677)
1644–52 · Etching; second state of two (NH)
Cleared · Public Domain
live
Two Costume Designs or Portrait Types
Anonymous, French, 18th century (d. 1800)
ca. 1785–90 · Pen and black ink, graphite, gouache
Cleared · Public Domain
live
Two Costume Designs or Portrait Types
Anonymous, French, 18th century (d. 1800)
ca. 1785–90 · Pen and black ink, graphite, gouache
Cleared · Public Domain
live
Two Costume Designs or Portrait Types
Anonymous, French, 18th century (d. 1800)
ca. 1785–90 · Pen and black ink, graphite, gouache
Cleared · Public Domain
live
Two Costume Designs or Portrait Types
Anonymous, French, 18th century (d. 1800)
ca. 1785–90 · Pen and black ink, graphite, gouache
Cleared · Public Domain
live
Two Costume Designs or Portrait Types
Anonymous, French, 18th century (d. 1800)
ca. 1785–90 · Pen and black ink, graphite, gouache
Cleared · Public Domain
live
Self-Portrait; wearing a top hat facing left within a drawn frame (recto); two studies of his face (verso)
Goya (Francisco de Goya y Lucientes) (d. 1828)
ca. 1797–98 · Red chalk (recto), pen and ink and red chalk (verso) on laid paper
Cleared · Public Domain
live![[Studio Portrait: Man Wearing Top Hat Seated with 2 Indigenous People] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-15801-135.jpg)
[Studio Portrait: Man Wearing Top Hat Seated with 2 Indigenous People]
Unknown
1860s–70s · Albumen silver print with applied color
Cleared · Public Domain
live![[Photo Collage: Man Wearing Blue Top Hat] by Juan Pedro Chabalgoity, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-15801-043.jpg)
[Photo Collage: Man Wearing Blue Top Hat]
Juan Pedro Chabalgoity (d. 1909)
ca. 1875 · Albumen silver print, lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Self-Portrait
William Orpen (d. 1931)
ca. 1910 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hat Ring
Dieter Roth (d. 1998)
1971 · Brass, iron alloy, copper alloy, silver, silver alloy, gold alloy, and felt
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.