
The Marriage Feast at Cana
Juan de Flandes (d. 1519)
ca. 1497 · Oil on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
672 ms. The Metropolitan Museum of Art, Collection API (Open Access)
569 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 35 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Marriage Feast at Cana
Juan de Flandes (d. 1519)
ca. 1497 · Oil on wood
Cleared · Public Domain
live
Adriaen van de Venne
Wenceslaus Hollar (d. 1677)
1649 · Etching; first state of five
Cleared · Public Domain
live
Portrait of Monsieur Aublet
Guillaume Voiriot (d. 1799)
ca. 1782 · Oil on canvas
Cleared · Public Domain
live
A Brace of Blackguards
Thomas Rowlandson (d. 1827)
June 20, 1789 · Etching and aquatint
Cleared · Public Domain
live
Alice Liddell as "The Beggar Maid"
Lewis Carroll (d. 1898)
1858 · Albumen silver print from glass negative
Cleared · Public Domain
live![[Copy of the head of Christ from Leonardo da Vinci's “The Last Supper”] by Léon Gérard, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP150942.jpg)
[Copy of the head of Christ from Leonardo da Vinci's “The Last Supper”]
Léon Gérard (d. 1896)
1857–61 · Albumen silver print from paper negative
Cleared · Public Domain
live
Wheat–Field in Which General Reynolds Was Shot
Unknown
July 1863 · Albumen silver prints from glass negatives
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adriaen van Venne
Wenceslaus Hollar (d. 1677)
1649 · Etching; second state of five
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
John Marin and Alfred Stieglitz
Marius de Zayas (d. 1961)
ca. 1912–13 · Charcoal and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Collage with self-portrait, from Budapest Diary]
László Káldor (d. 1963)
1931 · Gelatin silver print with paint and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Self-Portrait Looking at The Last Supper
Marisol (d. 2016)
1982–84 · Wood, plywood, stone, plaster, aluminum, dye, charcoal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Richard Avedon, Self Portrait, New York City
Richard Avedon (d. 2004)
May 31, 2002 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.