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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    672 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    569 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 35 matching records exist across the two collections.

Results for "Self-Portrait Looking at The Last Supper"12 records

Institutions answered newest-first by record, interleaved

The Marriage Feast at Cana by Juan de Flandes, The Metropolitan Museum of Art

The Marriage Feast at Cana

Juan de Flandes (d. 1519)

ca. 1497 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Adriaen van de Venne by Wenceslaus Hollar, The Metropolitan Museum of Art

Adriaen van de Venne

Wenceslaus Hollar (d. 1677)

1649 · Etching; first state of five

Cleared · Public Domain

live
The MetSimilar
Portrait of Monsieur Aublet by Guillaume Voiriot, The Metropolitan Museum of Art

Portrait of Monsieur Aublet

Guillaume Voiriot (d. 1799)

ca. 1782 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
A Brace of Blackguards by Thomas Rowlandson, The Metropolitan Museum of Art

A Brace of Blackguards

Thomas Rowlandson (d. 1827)

June 20, 1789 · Etching and aquatint

Cleared · Public Domain

live
The MetSimilar
Alice Liddell as "The Beggar Maid" by Lewis Carroll, The Metropolitan Museum of Art

Alice Liddell as "The Beggar Maid"

Lewis Carroll (d. 1898)

1858 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[Copy of the head of Christ from Leonardo da Vinci's “The Last Supper”] by Léon Gérard, The Metropolitan Museum of Art

[Copy of the head of Christ from Leonardo da Vinci's “The Last Supper”]

Léon Gérard (d. 1896)

1857–61 · Albumen silver print from paper negative

Cleared · Public Domain

live
The MetSimilar
Wheat–Field in Which General Reynolds Was Shot by Unknown, The Metropolitan Museum of Art

Wheat–Field in Which General Reynolds Was Shot

Unknown

July 1863 · Albumen silver prints from glass negatives

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Adriaen van Venne

Wenceslaus Hollar (d. 1677)

1649 · Etching; second state of five

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Marin and Alfred Stieglitz

Marius de Zayas (d. 1961)

ca. 1912–13 · Charcoal and graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Collage with self-portrait, from Budapest Diary]

László Káldor (d. 1963)

1931 · Gelatin silver print with paint and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Self-Portrait Looking at The Last Supper

Marisol (d. 2016)

1982–84 · Wood, plywood, stone, plaster, aluminum, dye, charcoal

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Richard Avedon, Self Portrait, New York City

Richard Avedon (d. 2004)

May 31, 2002 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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