Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
349 ms. The Metropolitan Museum of Art, Collection API (Open Access)
313 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Plate 14: Senatorial Bridge, today called the Ponte Rotto (Broken Bridge). 1. Temple of Vesta. 2. Temple of Fortuna Virilis. 3. Part of the ancient Palatine. (Ponte Senatorio oggi detto Ponte rotto), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"
Giovanni Battista Piranesi (d. 1778)
ca. 1748 · Etching
Cleared · Public Domain
live
Amerapoora: Wooden Bridge
Linnaeus Tripe (d. 1902)
September 1–October 21, 1855 · Purchase, The Buddy Taub Foundation, Dennis A. Roach and Jill Roach, Directors, and Alfred Stieglitz Society Gifts, 2012
Cleared · Public Domain
live
Qānūn
Unrecorded maker
19th century · Wood; parchment; gut strings; mother-of-pearl, ivory, bone, ebony inlay; shells; gold foil; metal; brass
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Inscriptions incised in the voussoir blocks of one of the large arches of the Bridge of Fabricius (today called the Ponte dei Quattro Capi [Bridge of the Four Heads]) from the side adjacent to the Theater of Marcellus..., tome 4, tavola 17 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vertical section of the Bridge of Fabricius, today called the Ponte dei Quattro Capi [Bridge of the Four Heads]..., tome 4, tavola 20 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Bridge of Fabricius, today called the Ponte dei Quattro Capi [Bridge of the Four Heads], tome 4, tavola 16 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Bridge of Hadrian, today called Ponte S. Angelo [Bridge of St. Angelo], from the Castel S. Angelo towards the strada di Banchi..., tome 4, tavola 12 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Senatorial Bridge, today called the Ponte Rotto [Broken Bridge], Temple of Vesta, Temple of Fortuna Virilis, and Part of the ancient Palatine, tavola 14 from "Alcune Vedute di Archi Trionfali ed altri monumenti analzati da Romani parte de quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)
Giovanni Battista Piranesi (d. 1778)
printed after 1775 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Speeding on the Avenue
John Cameron (d. 1896)
1870 · Hand-colored lithograph with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Banks of Doon – Burns Moment
Frances Flora Bond Palmer (d. 1876)
ca. 1865 · Hand-colored lithograph with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Kora
Mamadou Kouyaté (d. 1991) (bridge by Djimo Kouyaté)
ca. 1960 · Gourd, goat skin, antelope-hide, ebony, metal, wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Pont Neuf Wrapped
Christo (d. 2020)
1975 · Graphite, wax crayon, fabric, string, gelatin silver photograph and commercially printed paper on paperboard.
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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