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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    278 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    268 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8,146 matching records exist across the two collections.

Results for "Series of Cartouche Designs and Coats of"12 records

Institutions answered newest-first by record, interleaved

Various Cartouche Designs by Francisco Herrera, the Younger ("El Mozo"), The Metropolitan Museum of Art

Various Cartouche Designs

Francisco Herrera, the Younger ("El Mozo") (d. 1685)

1649 · Engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Series of Cartouche Designs

Leonardo dell'Arca

ca. 1600–1620 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Series of Cartouche Designs

Pierre Firens I (d. 1638)

ca. 1610–45 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cartouche Designs after Bernardo Castello

Bernardo Castello (d. 1629)

ca. 1620 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Series of Cartouche Designs and Coats of Arms

Agostino (Stanzani) Mitelli (d. 1660)

ca. 1650–99 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Series of Cartouche Designs and Coats of Arms

Agostino (Stanzani) Mitelli (d. 1660)

ca. 1650–99 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Series of Cartouche Designs

Agostino (Stanzani) Mitelli (d. 1660)

1646–99 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Series of Cartouche Designs

Agostino (Stanzani) Mitelli (d. 1660)

1646–99 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Series of Cartouche Designs

Agostino (Stanzani) Mitelli (d. 1660)

1646–99 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cartouche, from a series of cartouche designs associated with Francois Boyer

Jean Bernard Toro (d. 1731)

1690–1731 · Engraving and etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Decorated cartouche (Cartouche decoré)

Pierre Edmé Babel (d. 1775)

ca. 1740–60 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Series of Cartouche Designs "Raccolta di Cartelle Pubblicate per uso della Gioventù Studiosa".

Sebastiano Cavina (d. 1790)

1798 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.