
Various Cartouche Designs
Francisco Herrera, the Younger ("El Mozo") (d. 1685)
1649 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
247 ms. The Metropolitan Museum of Art, Collection API (Open Access)
317 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,768 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Various Cartouche Designs
Francisco Herrera, the Younger ("El Mozo") (d. 1685)
1649 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Series of Cartouche Designs
Leonardo dell'Arca
ca. 1600–1620 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Series of Designs for Cartouches and Ornaments
Pierre Firens I (d. 1638)
1613–38 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Series of Cartouche Designs and Coats of Arms
Agostino (Stanzani) Mitelli (d. 1660)
ca. 1650–99 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Series of Cartouche Designs and Coats of Arms
Agostino (Stanzani) Mitelli (d. 1660)
ca. 1650–99 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page to a Series of Cartouches
Agostino (Stanzani) Mitelli (d. 1660)
1643–77 · Engraving [3rd edition]
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album of prints entitled "Architettura del Mitelli"
Agostino (Stanzani) Mitelli (d. 1660)
1600–1699 · Etching, engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Series of Cartouche Designs
Agostino (Stanzani) Mitelli (d. 1660)
1646–99 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Series of Cartouche Designs
Agostino (Stanzani) Mitelli (d. 1660)
1646–99 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Series of Cartouche Designs
Agostino (Stanzani) Mitelli (d. 1660)
1646–99 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Series of Twelve Cartouches
Agostino (Stanzani) Mitelli (d. 1660)
1646–99 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cartouches
Pierre Edmé Babel (d. 1775)
ca. 1740–60 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.