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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    618 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    400 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 70 matching records exist across the two collections.

Results for "Serpentinite pendant"12 records

Institutions answered newest-first by record, interleaved

Anklet by an unrecorded maker, The Metropolitan Museum of Art

Anklet

Unrecorded maker

ca. 4400–3800 BCE · Travertine (Egyptian alabaster), bone, serpentinite

Cleared · Public Domain

live
The MetSimilar
Serpentinite pendant by an unrecorded maker, The Metropolitan Museum of Art

Serpentinite pendant

Unrecorded maker

ca. 3900–2500 BCE · Serpentinite

Cleared · Public Domain

live
The MetSimilar
Serpentinite pendant by an unrecorded maker, The Metropolitan Museum of Art

Serpentinite pendant

Unrecorded maker

ca. 3900–2500 BCE · Serpentinite

Cleared · Public Domain

live
The MetSimilar
Serpentine (?) pendant fragments with transverse grooves by an unrecorded maker, The Metropolitan Museum of Art

Serpentine (?) pendant fragments with transverse grooves

Unrecorded maker

ca. 3rd–early 2nd millennium BCE · Serpentine?

Cleared · Public Domain

live
The MetSimilar
Heart Scarab of Hatnefer by an unrecorded maker, The Metropolitan Museum of Art

Heart Scarab of Hatnefer

Unrecorded maker

ca. 1491–1473 BCE · Serpentinite, gold

Cleared · Public Domain

live
The MetSimilar
Heart Scarab of Neferkhawet by an unrecorded maker, The Metropolitan Museum of Art

Heart Scarab of Neferkhawet

Unrecorded maker

ca. 1504–1447 BCE · Serpentinite, gold

Cleared · Public Domain

live
The MetSimilar
Serpentine mold for casting bead pendants by an unrecorded maker, The Metropolitan Museum of Art

Serpentine mold for casting bead pendants

Unrecorded maker

ca. 1600–1400 BCE · Serpentine

Cleared · Public Domain

live
The MetSimilar
Mask by Olmec artist(s), The Metropolitan Museum of Art

Mask

Olmec artist(s)

1000–400 BCE · Serpentinite

Cleared · Public Domain

live
The MetSimilar
Double-crocodile pendant by Coclé (Macaracas) artist, The Metropolitan Museum of Art

Double-crocodile pendant

Coclé (Macaracas) artist

950–1100 CE · Gold (cast), greenstone

Cleared · Public Domain

live
The MetSimilar
Two-Sided Pendant with the Virgin and Christ Child and John the Forerunner by an unrecorded maker, The Metropolitan Museum of Art

Two-Sided Pendant with the Virgin and Christ Child and John the Forerunner

Unrecorded maker

1100–1300 · Serpentine

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis" by Paul Birckenhultz, The Metropolitan Museum of Art

Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis"

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Vertical Panel with Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis by Paul Birckenhultz, The Metropolitan Museum of Art

Vertical Panel with Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar

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